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The story takes place in 14th-century Flanders, a region suffering under the oppressive and bloody occupation of the French King, Philip the Fair. Tensions between the arrogant French nobility and the proud Flemish guilds reach a boiling point. Following the bloody uprising known as the Bruges Matins, an armed conflict becomes inevitable.Without their imprisoned leader, Robert of Bethune—the "Lion of Flanders"—craftsmen, peasants, and local nobles unite. This leads to the legendary Battle of the Golden Spurs on July 11, 1302, near Kortrijk, where an untrained Flemish citizen army faces the elite French cavalry.
The 1950s. A family has its annual family reunion to commemorate the anniversary of mother's death. People drink and eat heavily and after a while all restrictions are lost. Family members start venting old frustrations, discussions and tensions. Eventually one homosexual young man gets depressed and a drama escalates.
A Flemish family comes together in their maternal home. Oscar, the grotesque patriarch, his bedridden wife Magda, his feeble son Johnny and his daughter Julia, who's married to a Moroccan soccer player. There's something wrong with Magda, who's not only plagued by her physical decay, but also by visions of her dead sister Marleen.
Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.
Do we still sing the praises of folly like Erasmus, or is it trendy again to be smart? And if so, who is the smartest? Who can talk about the medals won at the Olympic Games in London, but at the same time knows who Captain Haddock is? Who knows whether Lacan was a hair growth product or a psychoanalyst and can also program their own digital television? Who has déjà vu when leafing through the Encyclopedia Britannica and when reading the interviews with the new Miss Waregem Koerse? Who, oh who, is the smartest person in Flanders, Belgium, Europe, and by extension, the world? That is determined by a fierce battle between three fellow human beings. Every day, someone is eliminated, someone who may not be the smartest, but who is perhaps cherished in their family circle because of their many other talents. The others advance and are joined by a new challenger every day.
Filippi is a circus clown who lives a double existence: on stage he is successful and beloved, but privately he is consumed by jealousy and emotional fragility. He is in love with Arlette, a trapeze artist, but she prefers his rival Mario. When Filippi attempts to eliminate Mario, the situation spirals into tragedy, leading to Arlette’s death. Unable to cope with guilt, Filippi becomes trapped in a downward spiral of remorse, illusion, and emotional collapse. The story is largely told through flashbacks within the circus environment, blurring reality and memory.
Springen (Jumping) is an absurdist comedy set inside 'Sempa Vivax', an exclusive and highly unusual retirement home housed in a castle.The facility caters specifically to wealthy elderly residents, offering them the unique opportunity to fully realize their wildest, final fantasies and unfulfilled dreams. Under the guidance of the home's eccentric staff, the residents engage in bizarre and extravagant activities, which range from reenacting passionate past romances to staging a simulated atomic war for entertainment.The narrative unfolds through the various subplots of these residents as they navigate their surreal daily lives, attempting to escape the realities of old age and mortality through illusion and play. The story explores the chaotic dynamics between the elderly elite, their families, and the staff members who facilitate their increasingly elaborate delusions.
Recovering all of the intertitles of the Battleship Potemkin, Jean-Marie Buchet substitutes for the images of the film various views that he himself shot and which are unrelated to the initial work, thus joining the technique of diversion widely recommended and applied by the Situationists.
In this film version of the Dutch-language classic ('heimat'-)novel by Flemish author Felix Timmermans, the title character is a city-boy from Lier who after recovering from a life-threatening disease changes his life completely and his name to the self-invented Pallieter. He moves in with Charlote, a naive, caring relative in the country, where he starts frolicking, no longer caring for image, career or possessions, but concentrates on enjoying life -such as a draftee relative's Brueghelian wedding- and finds love with Marieke. A dark story-line however is when projected work on the river in the name of economical progress threatens the rural landscape they have fallen in love with...
The remarkable true-life survival story of a Jewish boy hiding and being hunted in the forests of Nazi-occupied Eastern Europe, based on Maxwell Smart's memoir.