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The second chapter in Assi Dayan's trilogy centers on three marginal characters from "Life According to Agfa". Malka, a whore with a Romanian accent who dreams of becoming a singer, Levi, her pimp and Moshe, a homeless man who dreams that Malka will love him and follows Malka and Levi. Levi navigates the trio in a grotesque and turbulent world in which people have lost the purpose of their existence. The result is a black comedy that combines the elements of the film "Bourekas" with poetic enlightening moments, all in the special, confident and blatant style of Assi Dayan.
Dr. Shuki Chaftziva is a ballroom dancing instructor who tries his hand at match-making. He follows the obituaries and takes his client, Zigi Fuchsman, an auto mechanic and childhood friend, to comfort the mourners and check out the widow and her property. At the same time, Ben Gurion Shemesh, a grease monkey who wants to be a singer, tries to win the heart of Dina, the disco floozy and also Zigi's daughter
A man comes to town that lies on the northern border and intends to commit suicide. The townspeople rescue him, but later they discover he’s a well known poet, the kind whose death place can become a site of pilgrimage.
Balding advertising executive Mr. Baum spends more time on a new ad campaign for purple sunglasses than he does with his own family. But suddenly he is forced to reexamine his life after a doctor tells him that he has an 'aggressive' brain tumor and will die in 90 minutes.
Sergio Konstanza, a swindler, owes money to Mr. Hasson. He escapes to the desert where he joins a wacky army reserve unit whose Sergeant is engaged to one of Mr. Hasson's Daughters.
Love Letters to Cinema is a collection of ten "letters” in the form of short films (4 minutes each), written and directed by ten outstanding Israeli directors. The films and the directors conduct a dialogue, whereas the directors create a short film with their unique voice, bringing to the audience a group of work that reflects on cinema.
The film takes place in Tel Aviv, much of it in a fictitious local pub called Barbie, a satirical nickname for a famous Israeli mental health institution. The pub's name hints at the characters and the events which occur in the pub and which befall its owner (Daliah), the employees and customers. The plot unfolds with a streak of violence which takes a surprising turn.
A minor politician, suffering with a temporary sexual disorder that is soon to be written about in the local press, is sent anonymously to Eilat for rest and pleasantries. His wife, believing he was on a trip abroad also goes to Eilat on the advice of her friend.
A pair of high school kids in love, Ronnie and Orna tangled up in an unplanned pregnancy. For this reason there has been a clear dilemma between the different options: abortion, adoption or leavng the child on their own growth.