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Vászka, the town robber, is off his form. He has no money and Luvnya, his sweetheart, constantly clamors for a trip to Moscow. His problems are solved when he meets Ványka, the village robber. The two robbers enter into an alliance and start working together.
Irén and Attila, a not-so-young couple, are in love. All they want is a flat of their own where they could live together. Unfortunately, Hungary in the 70s is no place for dreams.
The slow decay of a marriage sets the stage for this drama, which is leavened with understated humor. In 1988, Jozsi (Gergely Kocsis) is a Hungarian laborer who decides to marry Elizaveta (Eniko Borcsok), a woman of Hungarian descent living in the Ukraine. 1996 finds Joszi and Elizaveta the parents of a young girl, but otherwise their marriage is a shambles; Jozsi has become an alcoholic and Elizaveta has decided she needs to strike out on her own for the sake of her child. Shot on digital video as a project for Hungarian television, Paszport was directed by Peter Gothar, who previously made the international success Megall Az Ido.
A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.
August, 1968: Feri and Tomka participate in the occupation of Czechoslovakia as draft soldiers. On their way back they bring Jula as a common prey, and they turn the tank not to Budapest, but Vienna.
Gizella Weisz is an middle-aged office worker, who gets a promotion one day. Her boss told her that a new outpost is waiting for her. There she would be heading a new section. She travels from place to another and finally arrives at her new outpost. It is a remote shed, where a half-insane co-worker is waiting for her. It is obvious that Weisz has not been promoted, but punished. However Weisz does not realize that herself. Without questioning she just accepts her promotion.
Gertrúd is a middle-aged music teacher. She lives with her art-restorer husband and their teenage son. She is weary of family life, and her relationship with her husband leaves much to be desired. Gertrúd’s settled world is turned upside down when a former student of hers, the beautiful Albán, suddenly shows up. Her presence prompts questions about the past, present, and future. Reality, memories and dreams intermingle dangerously, and the old family roles slowly begin to change. “I wanted this film to be like an enchanted box full of stories and surprises”, Péter Gothár explains. “Its drawers are meant to open in a mysterious rhythm, offering joy and food for thought. First, there was the music of Bartók, which then became the film's main organizing element. It formed around the music – this whole family story full of love and irony”.
The rise and fame of Sándor Rózsa, the infamous outlaw of 19th century Hungary.