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All clothes have a story to tell. Ma was about to close the Angela laundry shop for the day when Shum appeared. A young man with a head injury and handful of dirty clothes from his stay at the street during the Umbrella Movement, Shum needs his clothes washed. Full of passion for the social cause, Shum initially chided Ma for staying in the comfort of the shop. However, these two strangers slowly opened up to each other when a number of characters passed by the shop, revealing the tumultuous world behind Ma’s stoic silence. Shum also gained new insight on meaningfulness, which exists not only within a worthy cause but also at seemingly abandoned clothes.
Magical moments happen both in and out of the movie theatre. Ho is a dedicated film buff who works in an independent movie theatre. He is especially passionate about the classics which hardly attract any audience. One evening he notices an audience bursting into tears during the closing credits of the fourth film she has watched in a row. Ho checks on her but she remains reserved. Upon seeing all the old film copies in the theatre, she realises Ho’s passion for film and opens up to him.
The film is based on the Founder of Causeway Bay Books - LAM Wing-kee’s experience after he was temporarily released back to Hong Kong after 8 months of detention in Mainland China. LAM was demanded by the authorities to retrieve his computer in the bookstore in Hong Kong, alongside with the information of his customers. Only when he found out that his colleague handed over to him the wrong computer, should he start to think about possibilities besides submitting to authorities from Mainland China. The film re-enacts the events happened in the two days he was allowed to return to Hong Kong and explores LAM’s decision to defy, and refuse to leave his homeland.
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As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
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Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.