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Docu-fiction about the harmful effects caused by the unethical use of the pesticide Endosulfan in the plantations of Kasaragode district of Kerala.
Romila, Anand and guide Papa Buka journey through Papua New Guinea's remote villages, documenting WWII veterans' vivid memories of fighting against Japan, facing unexpected challenges along their quest.
Film tells the story of marginalized people in Kerala through the life of a father who working as a temporary cleaner and his Eight year old son.
Saira is a 2005 Indian film starring Navya Nair and Nedumudi Venu. The film marks the directorial debut of Dr. Biju. It was the opening in the Tous Les Cinemas du Monde (World Cinema) section of 2007 Cannes Film Festival.[1][2] It also participated in 21 other international film festivals. It was also selected at the Indian Panorama 2006.
Six cinematic sketches depicting the various means by which a fascist government tries to silence its people suspected of Maoist ties. They hunt down artists, those who struggle against ecocide and mechanization, people’s counterattack against state-sponsored violence. And by imposing a new order of obedience on its people.
A Bollywood filmmaker and his crew gets stranded in a remote Himalayan village due to torrential downpours. How the intense experiences under siege, affect the filmmaker's thoughts and priorities forms the central theme of the film.
After a village in Kerala is flooded, A scheduled caste family which doesn't get any support from government migrates to Himachal Pradesh in search of job & struggles to adapt in a totally new environment conditions.
A doctor, after the death of a terrorist’s wife, sets out to reunite her young son with his estranged father. His journey across India becomes one of compassion, redemption, and the search for humanity amid violence.
Set in a beautiful Himalayan valley, a boy, who is unable to speak and loses his mother at birth, faces hardships when his father is imprisoned. He develops an unlikely bond with an elderly Buddhist monk who helps him relieve his pain.
‘Adrishya Jalakangal’ is said to be an unabashed depiction of what war and its consequences truly look like. “Adrishya Jalakangal is an attempt to look at the social menace of war from a common man’s point of view and be a strong artistic signature against war