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Just like in a focus of a lens the northern suburbs of Riga show the opportunities, the contradictions and risks characteristic for each highly developed civilization in its in-between zone of "post" - in this case - post-Soviet, post-industrial, postmodern period. And just like any other coastal area Daugava delta can offer not only fresh fish and wind but also wide horizon and endless sky.
Documentary about a small town in California.
Experimental documentary about Kobe, Japan.
Portrait of the titular road in the german area Ruhrgebiet.
The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.
Seven versions of Riga, the city on the Baltic Sea, and its features as seen by outstanding European film directors: Sergei Loznitsa (The Old Jewish Cemetery), Ivars Seleckis (On Ķīpsala), Audrius Stonys (Riga Boats), Jaak Kilmi (Littering Prohibited!), Jon Bang Karlsen (Cats in Riga), Rainer Komers (Daugava Delta), and Bettina Henkel (Theatre Street 6).
Film about the inhabitants and neighbours of a castle in the city of Mühlheim an der Ruhr.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.