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Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
In a train from Sarajevo to Zagreb, looking at the landscape of the foreign country from a window, I somehow felt nostalgic and a question crossed my mind. “What is my first memory?” Could primitive memories be found and shared in human beings? If collective memories exist in us as what is inherited, I would like to know what it is like and to capture them by camera and sound recorder.
A storyteller of peace serves as a guide in the “Gama”—natural caves where many local people lost their lives during the Battle of Okinawa. The woman in blue standing by his side represents the intersection of the present and the past.
The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.
Cenotes—sources of water that in ancient Mayan civilization were said to connect the real world and the afterlife. The past and present of the people living in and around them intersect, and distant memories echo throughout immersive scenes of light and darkness.
A shadow reveals its form from the darkness underground. It communicates with a woman's consciousness, and she begins to see fragmentary memories that transcend time and place, as if daydreaming. The shadow takes on the woman's form and travels. Situating itself in places invisible from above ground, it traces what once happened there, listening to the human memories buried in the flow of time.
A moving image work from director Kaori Oda.
Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.
A train runs at night. Goldfish float in passenger’s dreams.
8mm short shot at night from the Osaka bay where the river flows into the sea