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OHO is considered one of the most interesting, complex and important examples of post-war avant-garde art in Central and Eastern Europe. After achieving major success as one of the first from Eastern Europe to exhibit at New York's MoMA, the group disbanded in 1971. OHO was not just an art collective but a unique cultural phenomenon that explored the visible and the immaterial through art, philosophy, sociology, science and coexistence with the earth and nature. Already in the 1960s, the group was raising relevant questions about anthropocentrism, ecology and the economics of the art. This documentary about OHO by Damjan Kozole is rich in never-before-seen archival material and, for the first time, comprehensively presents this inspiring phenomenon of intertwining art and life. - Slovenian Film Database
Ulay is a conceptual artist whose photography pushed boundaries, and whose love affair with Marina Abramovic produced some of the best pieces of performance art. Diagnosed with cancer shortly after agreeing to film the documentary, Ulay's illness informs Project Cancer, which is part-retrospective, part-visual document of the year he believed could be the last of his extraordinary life.
Aleksandra is a student from Krško, a small town in Slovenia. She has a plan to conquer the world. Working as a prostitute, her life is heading to where she wants it, but an accidental death has her wrestling with new feelings of fear, loneliness, confusion and responsibility
Twenty-five films from twenty-five European countries by twenty-five European directors.
Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.
Architecture is not a static but a dynamic, living thing. Similarly film is highly suited to represent and experience architectures as spaces, as stages for human encounter and interaction. In this series of short films architecture becomes animated, even transformed, with social input. Similarly it serves to animate its viewers/occupants -- architecture as stage and actor both. (Good) built projects in Slovenia generally follow a well-thought and focused approach and execution. They are, relatively speaking, of modest size. They are small not in scale nor ambition -- but small as in contained, disciplined, intelligent and specifically responsive. With room for a smile.
Documentary about the history of ice hockey in Jesenice and their local club.
This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.
Everything the actor plays in films later happens to him in real life.
A documentary film about the Slovenian filmmaker Boštjan Hladnik.