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A dance-based mythological featuring Shankar (Arun), the triad in the Hindu pantheon (sometimes equated with Dionysus), who dances the Tandava, the dance of destruction, when his wife Sati kills herself after she is humiliated by her father. He then retires into meditation from which he has to be awoken to rid the world of the demon Tarakasura. The seductive powers of Sati, reborn as Parvati (Bose), liven up Shankar but she has to pay for this by doing extensive penance, after which she can be accepted again by her husband as a real wife, partly through the divine intervention of Vishnu.
A sculptor falls for an amnesiac woman found after a bombing, whose strange behavior hides a past that threatens their unconventional romance and a brewing love triangle.
An earthquake separates wealthy siblings Premnath and Mala, leaving Premnath with amnesia and in love with beggar girl Mira. As Mala seeks to reunite with her brother, the film questions whether true love can bridge societal divides.
Dhiraj (1942) was a Hindi social film directed by Chaturbhuj Doshi and produced by Ranjit Movietone. It featured actors like Sitara Devi and Ishwarlal. Dhiraj was banned by the British government due to alleged inclusion of "symbols like pictures of national leaders," suggesting a plot with nationalist themes.
A prince, fresh from his foreign education, returns to find his kingdom plagued by intrigues and rigid traditions. Disillusioned, he decides to venture among the poor in search of genuine love and freedom. During his adventures, he meets a simple village maiden, and they fall in love, leading to a series of thrilling and comedic encounters. The film blends this underlying serious theme with a light-hearted, slapstick comedic approach.
Surdas, a blind poet, embarks on a spiritual journey. He transforms into a revered saint, dedicating his life to crafting devotional poetry for Lord Krishna.
An early Indian social drama revolving around a visitor or unexpected arrival whose presence impacts the lives of others, likely leading to drama, complications, or revelations within the household.
A mythological and devotional drama based on the life of Bhartrhari, a legendary king who renounced his throne and worldly life to become an ascetic and poet, known for his philosophical and moral verses. The film explored themes of renunciation, spiritual enlightenment, and the transient nature of worldly pleasures.
The educated Harbala battles the oppressive traditionalism of her husband, Seth Gopaldas. Desperate for her children, Somnath and Neelam, to live freely, her frustration leads to a tragic act. Haunted by guilt, her children ultimately follow. The film, aptly titled "The Unfinished Tale," suggests hope for a more liberated future.
An heiress, played by Madhuri, who falls in love with her father's secretary played by Trilok Kapoor