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An adaptation of John Cage's Lecture On Nothing.
A drinking play with cannons and fireworks.
The relationships of the characters depicted in the film appear as part of the life of the country. At the same time, the social world is shown from an intimate point of view. The techniques of both fiction and documentary films, as well as television and amateur chronicles were used. The film was played by non-professional actors.
The interaction of viewers and films on the screen.
The first or one of the first films made in the USSR in the genre of "mockumentary". It tells about a real historical person and long-standing events, while the main action takes place in modern times. The 30s — the time of Sobelman's deeds — appear in the newsreel frames.
The manifesto of the Saltykov Film School. An epic story about the life and work of its members.
A performance with an abstract filmstrip, where some of the texts on the cards told a sarcastic tale about composers.
A pair of star-crossed dancers in New York find themselves at the center of a bitter rivalry between their brothers' underground dance clubs.
Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.
A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.