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Short black and white surrealist film from Man Ray starring himself and Meret Oppenheim.
Home movie from Man Ray while on vacation with Pablo Picasso, Paul, Nusch and Cecile Eluard, Emily Davies, Valerie and Roland Penrose. The friends have fun with themselves and performing for the camera.
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
Mix of surrealist images of bubbles and smoke with some documentation of the world lived by Man Ray and Lee Miller.
Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.
The romantic relationship between a man and a woman.
A Man Ray documentary short on bullfighting.
An immersion into the surreal and dreamlike world of painter, photographer and filmmaker Man Ray (1890-1976), one of the most prolific American visual artists, through four of his short films, brought to life by the atmospheric music of SQÜRL.
Very brief view of Man Ray and his friend Ady Fidelin while at a seaside resort
Man Ray shoots from a window on 31 bis rue Campagne-Première, in the heart of Montparnasse, where he rented a ground-floor studio.