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A cinematic investigation about death and the power of photography, El Día Que Me Quieras is a meditation on the last photo taken of Ernesto Che Guevara, when he was lying dead on a cement pile surrounded by those who captured him in Bolivia, in 1967
A 2002 interview with John Vaccaro, founder of the Playhouse of the Ridiculous, recalling the actors’ walkout during rehearsals of The Conquest of the Universe, and his friendship with Charles Ludlam. The Theater of the Ridiculous was a radical theater genre that embodied queer, the word and the act, and set the embers of Gay Liberation aflame.
The New York underground linked the paths of the actor and playwright Charles Ludlam, the superstar of avant-garde cinema Mario Montez and the Argentine artist Leandro Katz. An underground community found refuge in a porn cinema that Ludlam rented at night to stage his theater of the ridiculous. In 1970 he premiered The Grand Tarot, an extravagant burlesque where the arcana became characters and a reading of cards before the performance began established the order of the scenes. Rollo Six materializes that furtive experience, recovering in its formal commitment the inventiveness of chance that guided Ludlam's work. Katz superimposes edited scenes in camera, fracturing the screen through the use of masks that cover the lens and allow him to separately expose each corner of the frame.
Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.
In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.
Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.
An experimental German film
Not to be confused with Luc Besson's film of the same title from the same year. Documentarian Andrew Horn's second narrative feature.
An Oxford Medical School graduate takes a position at a mental institution and soon becomes obsessed with a female mental patient, but he has no idea of a recent and horrifying staffing change.
Valentín, a political prisoner, shares a cell with Molina, a window dresser convicted of public indecency. The two form an unlikely bond as Molina recounts the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna.