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Strip-Tease was created by Jean Libon and Marco Lamensch. The aim of the creators was to produce documentary films of a new genre, in which the commentators take a back seat to let the protagonists have their say. The program mainly deals with excerpts from everyday life (family meals, washing up, the life of a farmer's wife). Viewers can thus recognize themselves in their daily intimacy.
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The dream of Charles Dombais, the wealthy owner of the shipping company, is to have a son to continue his business. Tragically, his wife dies shortly after giving birth to their son.
When the friend who was visiting them suddenly dies, an unremarkable couple is forced to take in his young pregnant wife of Russian origin.
Carvalho is investigating the murder of a prison officer. The police suspect a young delinquent who had threatened to kill the officer. But Carvalho and Biscuter are on the trail of a friend and ex-cell partner of the defendant called "el Navajas" ("the penknife"). He is a pusher in the discotheque Up & Down. Things get worse when "el Navajas" turns out to be the main suspect of the murder in cold blood of a boy from a good family in the discotheque. Carvalho must find the pusher before the police in order to avoid that his client is sentenced to life imprisonment.
After the discovery of the bodies of two women raped and murdered, Lieutenant Sarlat, is assigned to the case. During your research you will find a family linked to black magic, and two gypsy women, Ana and her mother Marina, without having any connection that may be the key to the whole mystery. Sarlat will be responsible for discovering the connection between a serial murderer, and this dark and complex family.
Nazi hunters Serge and Beate Klarsfeld devoted twelve years of their lives to relentlessly tracking down Klaus Barbie, who had fled to Latin America under a false identity. La Traque looks back at their early exploits in Germany, through to the legal and media battles that led to the major trials in France. How was Klaus Barbie able to reinvent himself so easily and continue to wreak havoc in Bolivia with complete impunity in the 1970s? This is what this fictional account reveals, drawing its originality from the various points of view it adopts: that of the Klarsfelds, who had never before been the heroes of a fictional story, but also that of Klaus Barbie and the Bolivians, the new victims of this "exiled" barbarity. Between historical clarifications and revelations, this story forcefully reminds us that memory is not a given, but something that must be fought hard to achieve.