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Based on Robert Saviano's bestselling book, this gritty Italian crime drama paints a portrait of the brutal Neapolitan crime organisation the Camorra, as seen through the eyes of Ciro Di Marzo, the obedient and self- confident right-hand man of the clan's godfather, Pietro Savastano.
The Istituto Luce turned ninety in 2014, its decades-long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. The result is an album full of different narratives.
A gang of teenage boys stalk the streets of Naples armed with hand guns and AK-47s to do their mob bosses' bidding – until they decide to be the bosses themselves.
In 1944, American sailor Dean Barry arrives in Naples, a city destroyed by bombing after the liberation of Italy. Dean meets Lucia, a young and very poor girl with whom he falls madly in love. Two years later, at the end of his service, Dean has to return to New Jersey and Lucia remains in Naples, alone and pregnant.
Young and in prison for theft, Daphne falls in love with Josh, another inmate. Their love story exists through secret letters and fleeting conversations.
Rabbi Benjamin Murmelstein (1905-1989) was head of the Jewish Council of the artificial ghetto of Terezín (Theresienstadt in German). The Nazis made him representative of the community destined for extermination. Victim of a tragic contradiction, after the Liberation he was tried and absolved from the accusation of collaborating with the Nazis; he moved to Rome, where he was ostracized by the Jewish community until he died. His son Wolf devoted his life to redeem his image, trying to paint a more complex picture of the role his father played in Terezín. The film reconstructs through the conversation between Wolf and the psychoanalyst David Meghnagi a son's relationship with the memory of his father, between the acceptance, the denial, and the thematization of a common and familiar tragedy.
Three foreign teenagers—or, more precisely, second-generation Italians—cast caution to the wind and express their aspirations, affection, humor, and anger in front of the camera. Anticipation, resentment, dreams, irony, and isolation serve as a defense mechanism.
Michele and Lorenzo, two brothers, live alone in a large house just outside Rome left to them by their father, Dario, who disappeared twelve years earlier. One day, however, they receive surprising news: the house has been sold, meaning Dario is alive. The brothers decide to go looking for him; following a trail of information, they arrive in Marrakech, Morocco, where a complex yet rewarding process of family reunification awaits them.
A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
Adriano is a middle-aged man living in a dilapidated villa in Tuscany, when a group of young idealistic students arrives to restore the villa's vineyards.