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Maxim Zhdanov's life consists of funny practical jokes, crazy ideas and experiments. But everything changes when his family moves to a quiet suburban village with absolutely nothing to do. And then there's trouble at school: after successfully passing the test, the teachers transfer Max to a class for gifted children, having considered the boy's talents as a child prodigy. Classmates and friends label him a "nerd", and Max becomes an outsider to ordinary guys.
In 2008, cousins, students Lena and Natasha, dream of a beautiful life, and each in their own way tries to conquer Moscow, losing friends, family and dignity along the way. After 13 years, the sisters will meet again at the funeral of the father of one and the husband of the other. Lena does not believe in an accident and wants to take revenge on Natasha, whom she suspects of murder. Moreover, her father's parting gift gives her such an opportunity.
A general and his stepdaughter are both heavily in debt. When the family's tutor, in love with the girl, gets lucky at the gambling table, he tries to rescue her from her desperate situation, but she outright rejects him. Prokofiev's first full-length opera The Gambler, based on Dostoyevsky's partly autobiographical novella ironically written to settle gambling debts, is rarely performed today. This 2020 production brings together director Vasily Barkhatov and conductor Modestas Pitrenas and stars the winner of the 2019 International Opera Award, Asmik Grigorian, in the role of Polina.
Vanya, a young scientist, has spent all his life in a satellite town next to one of the biggest nuclear stations. Just like his parents, Vanya works at the nuclear station, but only because his girlfriend, Tanya, also works in the facility. When the ambitious Tanya decides to end their relationship, Vanya must find his resolve and steer himself to true love.
Production of the Teatro San Carlo, 2024. Turandot can be considered Giacomo Puccini's masterpiece, being his last and unfinished opera, which tells the story of the beautiful and cruel Chinese princess Turandot, who subjects her suitors to a test consisting of solving three riddles, awaiting death if they are not able to do so.
The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.
The story is set at the beginning of the Christian era on a large terrace of Herod’s palace, during the reign of Herod Antipas. At night, on a terrace of the palace, Salome, Herod’s stepdaughter, is gazed at passionately by Narraboth, captain of the guard. Jochanaan, a prophet, is imprisoned in a cistern for having slandered Herod. He proclaims the coming of Jesus, but his message is met with incomprehension by the guards. Salome hears the prophet. She manages to convince the guards to bring Jochanaan out so she can see him. Both fascinated and frightened by his prophecies, Salome falls passionately in love with this man. Richard Strauss’s opera at the 2018 Salzburg Festival, directed by Romeo Castellucci at the Felsenreitschule. In her debut in the title role, Asmik Grigorian distinguished herself with her talents as a singer and actress.
Captured live from Naples’ splendid San Carlo Theatre – the world’s oldest continuously running public opera venue – where it opened the company’s theatrical season, acclaimed director Dmitri Tcherniakov stages a new production of Dvořák’s beautiful, supremely romantic opera about a water sprite Rusalka who longs to find love.
Tchaikovsky’s many moods—tender, grand, melancholy—are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which reimagines the Byronic romantic anti-hero as the definitive bored Russian aristocrat caught between convention and ennui; Tchaikovsky, similarly, took Western European operatic forms and transformed them into an authentic and undeniably Russian work. At the core of the opera is the young girl Tatiana, who grows from a sentimental adolescent into a complete woman in one of the operatic stage’s most convincing character developments.