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Democratic Kampuchea (Cambodia) - 1978. Three French journalists are invited by the Khmer Rouge to conduct an exclusive interview of the regime's leader, Pol Pot. The country seems ideal. But behind the Potemkin village, the Khmer Rouge regime is declining and the war with Vietnam threatens to invade the country. The regime is looking for culprits, secretly carrying out a large scale genocide. Under the eyes of the journalists, the beautiful picture cracks, revealing the horror. Their journey progressively turns into a nightmare.
Gulabi is a transwoman groomed by her patriarchal father to join the military. When her father disowns her, Gulabi ends up living a life of prostitution in Kathmandu.
Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.
An innocent Cambodian boy is sold to a Thai broker and enslaved on a fishing trawler. As fellow slaves are tortured and murdered around him, he starts to wonder if his only hope of freedom is to become as violent as his captors.
The Indigenous Bunong practice agriculture by hand and end up in conflict with Cambodia's lucrative trade in CO2 certificates, losing the forest of whose ownership they have no conception. Now and then, split screen. A visual firework display.
Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
Based upon documentation of forced confessions made during the Khmer Rouge era in Cambodia, this film reconstructs the relationship of a young woman, Hout Bophana, and Ly Sitha before they were tortured in executed in 1977.
After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.
The film centers on a young French widow and her two adolescent children as they attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930s. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo. Though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.
After having fled Pol Pot, Rithy Panh, a 15 year old Cambodian finds refuge at the Mairut camp in Thailand, in 1979. Ten years later, now a filmmaker, he returns to the camps to film the daily life of this threatened people. The peoples he meets, eaten away by inactivity, insecutity and the fear of being forgotten, have been waiting for a possible return to Cambodia.