Looking for movies, shows, games, or books similar to La Vérité de Mme Langlois? Check out these recommendations on mosaic.
Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.
This story is set in the 13th century, in Britain, where Lancelot, who was raised by Vivian, the Lady of the Lake, becomes one the Knight of the Round Tables and falls secretly in love with Guinevere, the wife of King Arthur, for whom he wants to accomplish many deeds.
A servant girl, given in marriage when she turns out to be pregnant, can't bring herself to live away from her master.
A couple who appears to have the perfect relationship finds their future in jeopardy following a scorching night of lust and debauchery in this erotic drama adapted from the controversial novel by French author Colette.
Jacqueline is married to Maître André, but is in love with her lover Clavaroche, a fiery officer stationed in the city. In order to avert Master André's suspicions about his wife's fidelity, Clavaroche suggests that Jacqueline take a "Chandelier".
Celeste has failed with Victor and has a little boy. Césaire would still like to marry Céleste, a beautiful and hard-working girl. His father, old Amable, did not hear him that way but ended up giving in. Less than a year later, Césaire dies. Between Father Amable and his daughter-in-law, a cold and silent war begins.
An evocation, realistic and poetic at the same time, of Proust's work " in which he is locked up as in the room ". Halfway between the audiovisual adaptation and the portrait of the dandy and reclusive writer, all in black and white signed Claude Santelli, evoking the mystery, the intimate, and the fatality of existence.