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The film anthology includes 10 short films: "Asia", "Meeting", "Artist", "Yard", "Bahram Gur", "Lottery Ticket", "Caspian Atlantis", "About love", "Aysel" and "Coincidence". Each screenplay in the project reflects different moments in the life of Baku. Short films bring to life relationships between people, their love and longing, happy and sad moments. The main hero uniting these people, relations and different moments of life is the city of Baku.
Baku, Azerbaijan. A famous photographer postpones his wedding once again due to an important job offer. During the inevitable quarrel with his fiancée, they have a car accident.
The events in the film take place in a remote place, far from the modern city and civilization, where the real and the unreal worlds meet. There, mysticism and reality are so intertwined that all kinds of miracles are expected. The people there live by their own unwritten laws. The punishments given to those who violate them are also completely different.
"At some point," Rafael tells Arzu, "people walk together ... and then their ways part ... each destined to follow the labyrinth of their own inner city ..." Arzu, a young girl growing up in contemporary Azerbaijan, falls in love with Rafael, her piano teacher's son, a veteran of the Karabakh War. Twice her age and unable to escape from the ravages of war, Rafael is forced to live on the edge of a society that sees him as a 'cripple.' Arzu, desperate to escape from the same repressive society which confines women to a strict, narrow path, chooses Rafael over her family and friends - but threatened by Arzu's mother, and guided by the wisdom born out of his own brokenness, Rafael makes the supreme sacrifice of love ...
In the autumn of 1888, Baku is preparing for the visit of His Majesty Alexander III. Millionaire and member of the Baku City Duma, Haji Zeynalabdin Taghiyev, is fighting for influence and status in society. The city mayor, Orlovsky, taking advantage of his position, seeks to seize the oil field of Teymurbekov, who has committed suicide. Meanwhile, Ismail, the eldest son of Haji, meets General’s daughter, Nurjahan Arablinskaya, and intends to marry her.
In May 1896, Haji Zeynalabdin Taghiyev was still strong and enterprising, but he openly felt bored spending the warm season at his summer house in Mardakan. Haji wanted a family. He decided to propose to Sona Arablinskaya, the younger sister of Nurjahan Arablinskaya, Ismail’s wife. Haji’s plan caused bewilderment among the Arablinsky family and angered Ismail. Yet Haji succeeded —Sona herself agreed, her parents gave in, but the marriage between Haji and Sona destroyed the relationship between Haji and Ismail.
The film centers around Novkhani, a coastal village where government officials are conspiring with the local mafia to seize the land of its residents. When the villagers resist, Khan's father is tragically shot on the orders of the corrupt officials. As a means of fighting back, the villagers devise a plan to pretend to be the Italian mafia.
August 1922. Jerry Thompson, filled with respect, prepares to hear Haji’s story. May 1901. Haji Zeynalabdin Taghiyev works on opening the first school for Muslim girls in Baku, with support from his wife Sona. Cleric Akhund Abu Ziyad opposes the idea, sparking public debate. Reformers — Hasan bey Zardabi, Alimardan bey Topchibashev, Ahmed bey Agaev, and progressive clergy led by Mirza Abuturab — support education. The conflict escalates to attacks on teachers. Haji changes strategy and sends a representative abroad. He returns with approvals from major Islamic centers, confirming girls’ right to education. Victory is Haji’s. In October 1901, the school opens.
During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain.
A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both survived.