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The movie takes place on Oslo's east side sometime during the twenties. It depicts the workers' environment by traditional elements like unemployment, strike, poverty, alcoholism, absent fathers, wise and tired mothers, the dream of a better life and the friendship between the boys in the street.
The movie takes place during World War II and depicts the true story of Jan Baalsruds amazing escape from the German army from the coast of Northern Norway and across the border to the neutral country Sweden.
Fandango is the director of a traveling circus. He brings with him a handful of artists who have to stick together to succeed, but there is a clear conflict between the director and the artists.
A caretaker at a music academy is solving most problems for the young musicians, however not only the most appropriate way. But down inside he really has a dream of his own, which goes far beyond being the caretaker.
Thorvald runs a local bus route, with a 1923-model bus nicknamed 'Gamla', in the Norwegian country side. Thorvald himself always takes time to make numerous stops along his route to help out with the smallest of problems. The old man is so caring he sometimes forgets to charge money from his travelers. But modern times are lurking on the doorstep - in the figure of a grumpy county official and an offer from an outside bus company.
The film describes how resistance fighter Knut Magne Haugland operated an illegal telegraph station on the roof of the National Hospital in 1944 during World War II.
Guilt and sexual jealousy are the main dynamics behind Skouen's gloomy and intense tale about Oddmund, a former Resistance leader who caused the death of 12 refugees during the war.
A hand is pulling the emergency breaks on a train, and a young military recruit has his live all changed. No one can answer a girl's question in court. What colour are dreams? A gathering of destinies. Can anyone answer why things happen?
One autumn day, Ivar goes to the Botanical Garden in Oslo to visit Maria who is the mother of a little girl named Tilla. Ivar is a child psychologist and had Tilla observed a few months earlier. Treatment for her was agreed upon, but Maria has not returned with Tilla. Now Ivar finds her sleeping under a tree in the garden, and he meets Maria bent over a microscope in the laboratory. Maria has become even more nervous and unbalanced than the last time he met her, because nothing has been "corrected" as quickly as she had hoped -- Tilla has not spoken now for a year and a half. Maria herself is on her way to being as closed off as her own little girl. Ivar persuades Maria to come to the pediatric psychiatric clinic with Tilla so they can begin her treatment. There she meets Mimi Backer. But neither does Mimi get Maria to open up about her experiences with Tilla. In the clinic's observation room, however, the first little flicker of light falls on the mystery...
The third installment in Arne Skouen's trilogy about mentally challenged children, in solidarity of the involved children and families.