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An ode to pedestrianism and condensed "city symphony film" shot in the streets of Milwaukee on 16mm in the autumn of 2000. A few tweaks were made in the spring of 2020, but the basic film is as it was over twenty years ago.
Robert is a bookish, somewhat withdrawn entry-level office clerk waiting for a to-go order of food. While getting a breath of fresh air and staring into space, he's accosted by Bradley, a disembodied head with eyes like drains who begins to berate him--perhaps telepathically--with petty insults disguised as good advice.
A young, down-on-his-luck film student takes his audience on an irreverent, self-deprecating journey through his innermost thoughts and neuroses. Shot in the winter/spring of 2001 in Milwaukee, Wisconsin, the film was shown locally but then shelved until 2005, when it made its festival premiere at the 23rd Annual Minneapolis-St. Paul International Film Festival. It then went on to play at several esteemed festivals and movie nights in North America and beyond.
A colorful fleeting glimpse of a neighborhood house fire that occurred during the Christmas season of 2012 near the Gulf of Mexico in Florida. Fortunately, no people or animals died in the fire.
In the midst of watching a dog, phoning a pretty girl, and entertaining a neighbor, eccentric twins Simon and Dave become immersed in intriguing conversations while amusing themselves and also, to varying degrees, those around them.
Featuring original interviews with America’s punk pioneers and the U.K.’s most notorious bands, alongside a seamless blend of rare and unseen photos, gritty archival film and video, a crackling soundtrack of punk hits and misses, this documentary series explores the music, the fashion, the art and the DIY attitude of a subculture of self-described misfits and outcasts.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
To commemorate the 20 years that have passed since DC-based post-hardcore band Fugazi's last live appearance (November 4, 2002, at the Forum in London), Joe Gross, Joseph Pattisall and Jeff Krulik presented a screening of crowd-sourced, fan-recorded live shows, and rare archival footage to pay tribute to Fugazi's prowess as a live act—for old fans to remember and for a new generation to discover what they missed. This one-off screening event celebrates the fans and their cameras, as much as the band itself—a collision/collusion of the ephemeral moment on stage and the moments captured on camera.
Follows the story of the groundbreaking Texas-based art-punk band founded by frontman Gibby Haynes and guitarist Paul Leary.
Breadcrumb Trail focuses on Slint's seminal album, Spiderland, and the Louisville music scene from which the band originated.