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Serenade is a milestone in the history of dance. It is the first original ballet George Balanchine created in America in 1934, and is one of the signature works of New York City Ballet’s repertory. In its present form there are four movements: “Sonatina,” “Waltz,” “Russian Dance,” and “Elegy.” The last two movements reverse the order of Tschaikovsky’s score, ending the ballet on a note of sadness.
An audiovisual experiment that shows how oil is refined into gasoline and ultimately powers cars and other vehicles, accompanied by classical music and experimental synthesizer sounds. Filmed in the Libyan desert, the film traces the path and development of the gasoline, from the extraction of oil as it is drilled in the Libyan desert to the pump at the gas station, making road construction machines dance and convertibles roar through the Spessart forests. This film also drew Herbert von Karajan and Leo Kirch's attention to Hugo Niebeling, in which the director has road bulldozers "dance" to the music of Vivaldi.
Recording of the Berlin Philharmonic Orchestra conducted by Herbert von Karajan playing Beethoven's 7th Symphony.
A film version of the ballet Giselle. Filmed in a studio, using innovative editing and cinematography to go along with the choreography, this film stands out from filmed stage-performances.
A concert-film using innovative cinematic techniques to set music to images. As conductor Herbert von Karajan didn't like the experimental style, he had the film re-edited severely before release.
Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.