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Based on plays by Bhattacharya and the story Annadata by Krishan Chander. A film about the famine that swept through Indian villages in the final years of the war for independence. After natural disasters (floods and droughts), villagers seek refuge in the city.
A woman awaiting surgery recalls her life as a revolutionary along with seven other countrymen.
A news reporter becomes a suspect after a robbery and a homicide aboard an aircraft.
Gyara Hazar Ladkian is a 1962 Indian Hindi-language romantic social drama film directed by K. A. Abbas. The film was co-produced by the poet Ali Sardar Jafri, who also helped co-write the story with Abbas. Produced under the Film Friends banner, it had music by N. Datta. The director of photography was Ramchandra
Gautam is a man who loves a woman but is crushed when he sees her with someone else. In his fit of rage, he accidentally kills a child. Will this turn of events change his life completely?
Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.
The film was based on Abbas's own story, One Thousand Nights on a Bed of Stones, which describes the struggle in the life of pavement dwellers in the backdrop of rapid industrialization.
A political drama centered on the Naxalite movement in India, depicting individuals from varied regions and social backgrounds who are drawn into armed resistance. Drawing on real-life figures such as Charu Majumdar and Ajitha, the film portrays the social and political conditions that led to the rise of the movement.
On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.
A film is about the great Urdu poet, Mohammad Iqbal. He is reminisced by his son Justice Javed Iqbal, who says, "The centenary of AllamaIqbal, my father, which is being celebrated in India and Pakistan shows how his memory is still held in the two countries." Iqbal's Tarana-E-Hind or the Song of India became the battle song of freedom. The poet sang, "Religion does not teach us to hate each other. We are all Indians, and our homeland is this Hindustan of ours."Gandhiji in one of his Urdu letters wrote, "I have sung this song of Iqbal hundreds of times in jail." Iqbal was a poet of the revolution, who penned innumerable impassioned poems during his life time, which ended on April 21, 1938 when the sun of his glory was at its zenith.