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Four city workers in their daily important relationships. A worker in the field of the Landless Rural Workers Movement. Poetry plucked like weed from the soil of our time.
Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.
The wanderings of the Terceiro Mundo, a homeless man who plunges into a dreamlike drift through the streets of the capital of São Paulo.
It's an end-of-year barbecue at the firm, Bar do Velho Cuba, and what was supposed to be a party is work for the employees. By working, is it possible to get rich? A day of "party" on the outskirts of the Capital.
A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.
An impoverished teen seeking to escape the clutches of a human trafficker must weigh living up to his moral code against his struggle to survive.
Kelly, a young teacher, starts working at a public school on the outskirts of Contagem. Idealistic, she tries to push for a change, but ends up going too far. During a lesson, she gets into an argument with Nicolas, a young student. The quarrel brings some learning: Kelly learns that, on the outskirts of Brazil, the exception is the rule; and Nicolas learns that only by tearing down the present can the future be seen.
André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.
A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law.
In New York City, a young girl is caught in the middle of her parents' bitter custody battle.