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While COVID-19 times pushed us to redefine relationships and desires, Salty Chéri and Manon Praline decided to play consciously with the power dynamics between filmmaker and performer: Salty set up three blind dates for Manon. Being uninformed about her partners or what would happen, she had to let go of expectations.
An autobiographical short film about bugchasing, the intentional self infection with HIV. In the work author and director Martin Willibald Meisl deals with his memories and tries to explore his motivations. - When did the tendency towards self-destructive behavior arise and which ones can be seen? For that, he works with reenactments of artworks such as photos by Joel-Peter Witkin or Michaelangelo’s Pietá. A look at the later consequences of the decision is given. Discrimination, side effects of the therapy, and feelings towards the fresh infection. There is a clear change in his sexuality, and new positions taken.
UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.
Jamal Phoenix lets Sir Malice take the lead as he is bound. Having never been suspended, Jamal's anticipation and slight sense of fear are palpable. You never know how the world will feel when you release control. Every tie, every knot, every wrapping of the rope pushes Jamal deeper into submission. Sir Malice expertly weaves a web that supports and Jamal in a nest of security. As the pressure peaks, Jamal's body starts to lift off the ground. Weight, becomes weightless and pain gives way to pleasure.
Sir Malice and Jamal Phoenix continue their exploration from their previous film, Connection First. Sir Malice is a flogger-virtuose and Jamal’s perfect ass is the best receiver.
When a group of friends recklessly violate the sacred rule of Tarot readings, they unknowingly unleash an unspeakable evil trapped within the cursed cards. One by one, they come face to face with fate and end up in a race against death.
Five train passengers are joined by a mysterious fortuneteller who offers to read Tarot. A quintet of stories unfold: an architect returns to his ancestral home to find a vengeful werewolf; a doctor suspects his new wife is a vampire; an intelligent vine takes over a house; a jazz musician plagiarises music from a voodoo ceremony; and a pompous art critic is pursued by a disembodied hand.
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
In California, a group of women struggle with personal problems as their paths intertwine in unexpected ways. Dr. Elaine Keener, the sole caretaker for her aging mother, turns to tarot card reader Christine for spiritual aid. Christine grapples with her own angst due to her lover's debilitating illness. Meanwhile, a bank manager deals with an unwanted pregnancy, two sisters pursue romantic interests and a housewife gets back into the dating game.
Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.