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Based on the timeless tragic Arab folk tale of star-crossed lovers, depicting the intense and obsessive love between Qays (Majnu) and Laila, often ending in heartbreak and separation due to societal or familial opposition.
A social drama centered on the themes of reputation and honor, depicting characters' struggles to maintain or regain their standing in society.
An Indian drama about a woman's courageous quest for personal goals.
Suresh, a Hindu graduate, and Rafique, a Muslim mechanic, are close friends despite their different worlds. Suresh’s father refuses consent for his marriage to Rafique’s sister, but the bond between the two men survives. Later, unemployment drives them into hardship until they find work together, with Suresh managing Rafique’s business. Trouble brews when Rafique’s jealous brother-in-law sows suspicion, leading to quarrels and separation. Rafique, devoted to his young daughter, misjudges Suresh’s intentions, but a crisis ultimately reunites them, underscoring friendship, sacrifice, and Hindu-Muslim unity.
Geeta (Waheeda Rehman) and Madan (Kamaljit) are in love with each other and want to marry. They meet each other's parents and subject to the matching of their astrological charts, their engagement is finalized. However, the pandit reports to Madan's mom that the marriage will be ill-fated, and bad things will result for Madan and his family. Madan's mom is opposed to the marriage, however, Madan and Geeta are not superstitious and are determine to marry each other. They do get married, and then one disaster after another befalls Madan's family, his dad, his sister, and his younger brother; which leaves both Geeta and Madan wondering if more disasters are to follow them, and if the Pandit's prophecy is indeed true.
The naive Saroop (Nandrekar) romantically renounces earthly pleasures under the influence of a sadhu (Ashraf Khan). Arrested at a fairground and jailed, fellow convicts change his view of the world. Working in the prison’s garden, he meets the superintendent Sohanlal’s (Nazir) daughter Durga (Kumari), who was married as a child to a boy now believed dead. Ranjit (Singh) covets her and on her wedding day to the nasty Ranjit, it is discovered that Saroop was her child-husband.
A devoted woman, Badi Maa dedicates her life to raising her deceased friend's child, her love and sacrifices influencing all around her, leading to emotional conflicts as the child matures.
Set in the Ottoman Empire, it deals with the Caesar's (Pande) army and its skirmishes with the local Muslim rulers. The Sultan's (Asooji) son Ziyad (Kumar) is arrested by the Roman army. The Roman princess Rahil falls in love with him. A Muslim maid Leela (Sitara Devi) and the princess help him escape. Long chase scenes and fights follow, which ultimately lead to success for Ziyad and his people.
Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.
A. R. Kardar’s Pooja tells a disturbing story of two estranged sisters whose lives are fractured by a violent act of revenge and years of buried truths.