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Recovering all of the intertitles of the Battleship Potemkin, Jean-Marie Buchet substitutes for the images of the film various views that he himself shot and which are unrelated to the initial work, thus joining the technique of diversion widely recommended and applied by the Situationists.
Short film with hitchhikers and jazz music by Belgium filmmaker Jean-Marie Buchet.
Saddam Hussein is alive and well and he lives in Brussels.
Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert's friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.
Caught between the impetuousness of youth and the responsibilities of adulthood, five angsty teens face an uncertain future.
We see a bearded man in whom we recognize Louis Lenglet, known as Lacaille, with a white towel around his neck (already seen in Patrick Hella's film disguised as a tramp), in front of a plate of hot potatoes which he eats with certain voluptuousness. Suddenly the man accelerates, devouring with a courage that borders on unconsciousness (it eats!)