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From an intoxicating fantasy to a dangerous affair, a wealthy married woman finds her life irreversibly shattered after picking up an unpublished novel.
It is near future story in Anatolia. There is no indication of time and place, an post-apocalyptic world that ruled over by primitive technology. Zait, a loyal mine worker who works for a mine factory which is managed by unknowns, declares war against the factory.
How much space does Zeynep take up in this vast universe? This is a city brimming with the struggling and the unemployed; aren’t their lives a bit like the infinite, tiny particles flying through the air? Zeynep is already trying hard to make ends meet when she gets fired from her job at a textile mill. The Particle follows her as she searches for a job. We follow her in and out of workspaces. Zeynep’s world – the streets and homes in Tarlabaşı – are dark and suffocating.
Coastliners puts the theme of “human rights” together with different stories, and consists of five short fiction films made by internationally acclaimed different directors. We accompany the personal effects of refugees washed ashore, the peculiar story of an assaulted young man, a mother and daughter who take refuge in a house when bombs sound on the Syrian border, a hero stuck in the hurly burly of Istanbul, trying to overcome obstacles; and the her spiritual journey of a pregnant woman trying to return to her village from where she was cast away.
“Kızıl Goncalar” tells the poignant story of Meryem, married off at 14 in an Islamic sect, and now battling bravely to prevent her daughter Zeynep from suffering the same fate as the bride of the sheikh’s grandson. Guided by her sister-in-law, a former sect member, they realize they must flee to save Zeynep from the sect’s powerful clutches. Fearfully hiding her plans from her cruel husband, Meryem must first earn money as a carer in the home of secular psychiatrist Levent, who agrees to help her. Despite their clashing religious and progressive beliefs, Meryem and Levent are drawn together emotionally, but the turmoil in their lives deepens as the identity of his daughter is revealed.
Yusuf, who grew up in the suburbs of Istanbul, is a young man who tries to keep his family afloat and does not bow to injustice. While he dreams of a modest life with his childhood sweetheart Hazan, fate drags him into the middle of the underworld, power games and class conflict. When he reappears years later with a completely different identity, nothing is the same anymore; The wounds of the past and the hidden secrets will force him to follow both his heart and his revenge.
Reyhan, raised in a religious family, arrives to spend her summer holidays at her grandmother Ummu's house in a conservative central Anatolian village, accompanied by her mother Hatice, and her 6 year old brother Mehmet. The 13 year old is gripped by a state of inner turmoil. She has just had her first period and dreads the consequences of being unable to perform the required religious rites. Reyhan's concerns mount after she finds out the water supply at her grandmother's village house is cut off. She is desperate to find a way to perform the required religious ablution rites, which she has always been told will protect her from attacks by djinns and facial disfiguration. She starts having nightmares. At the same time, Reyhan is also determined to help Şükran, her best friend in the village.
Mustafa Kemal invites Mehmet Akif to Ankara for prevent the propaganda of the occupier states and to increase the participation of the people in the liberation struggle. Mehmet Akif is set out with his 13-year-old son and encounters many incidents as he moves towards Ankara. Mehmet Akif, who was deeply affected by his experiences and witnesses, tries to write the National Anthem in this process.
Over the course of 12 years, and three stages of life, Sidney Hall falls in love, writes the book of a generation and then disappears without a trace.