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A worker in a bottle factory, Pierre decides to switch from day shift to night shift. In his new team, he runs into Fred, a charismatic and violent guy. Fred says loudly that Pierre is his boyfriend. In fact, he never misses an opportunity to bully or humiliate him. This could only be a bad joke. But the harassment continues in a downward spiral ...
At the Mêle sur Sarthe, a small Norman village, farmers are affected by a crisis. Georges Balbuzard, the mayor of the city, is not one to let them down and decides to try everything to save his village...
Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis' family, makes him discover the servants' quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company - and more precisely in the company of beautiful Maria - Jean-Louis will gradually become another man, a better man.
A Parisian couple decides to sell an unsanitary basement in their building. A very ordinary, nondescript man, Mr. Fonzic, shows up to buy it. Nothing unusual there, until the man moves into the cellar and makes it his permanent residence. The couple tries desperately to cancel the sale but to no avail. Worse, Mr. Fonzic becomes a threat to their family as he befriends their teenage daughter on whom he seems to exert a perverted influence.
François Berthier’s life is a series of unfortunate events. One day, however, a miracle occurs for François and his expected misfortune is changed to never-ending luck.
The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court.
1942 Paris. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.
Although he's now eighty years old, Claude Lherminier is still as imposing as he ever was. But his bouts of forgetfulness and confusion are becoming increasingly frequent. Even so, he stubbornly refuses to admit that anything is wrong. Carole, his oldest daughter, wages a daily and taxing battle to ensure that he's not left on his own. Claude suddenly decides on a whim to go to Florida. What lies behind this sudden trip?
Camille Prader, back from a physicians' meeting, is waiting for his suitcase on the Airport conveyor belt. Clémentine, his girlfriend of the day, has come to fetch him. With a radiant smile, she tells Fabrice that she left everything to live with him. When Camille picks a case he realizes ha has taken the wrong one. The label shows it belongs to a musician called Juliette Graveur. Hegrasps the occasion to run away from Clémentine by claiming Juliette is his mistress....
Une héritière qui n'arrive pas à hériter, un radin qui ne peut rien dépenser, un petit garçon qui trouve un billet dans la rue, un restaurateur prodigue qui ne fait que donner... Tels sont, entre autres, les personnages de ce film "choral". Pourquoi certains dépensent-ils de manière convulsive là où d'autres retiennent l'argent comme la partie la plus vitale de leur être ? On croit parler d'argent, mais c'est d'amour dont il s'agit.