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Afa has ordered a robot, named AI 906, and they developed a strange relationship.
Yumi works at a record store, dreams about Kurt Cobain could take her away from the boring life she lives. As she is approaching 27 years old, she begins to think about what can she do to resist the social norms.
A girl with a mysterious background arrives at the city, whose existence gradually becomes as light as the floating air. In the dark night of a chaotic age, must we live like spectres?
Shan, a Hong Kong cosmetologist, learnt about the art of solitude during the lockdown period of pandemic. As the regulation of prohibition on group gathering was imposed in April 2020, Shan had to close down her small business and build a new daily routine.
In an art studio, a young woman becomes the muse Calliope, observed and painted by the artists around her. Gradually, her gaze shifts toward the statues beside her, and she begins to transform into the statue itself.
At 17, Xin lived a simple life in Macau. She enjoyed exploring the “world” with her DV camera, understanding the value of ordinary life. However, everything changed when she met her senior schoolmate Fei, who brought a new rhythm to Xin’s life. At 22, Xin embraced a free life in Taiwan, studying journalism and living with her girlfriend, Qing. Despite seeming ordinary, her life was also marked by graduation uncertainties. Xin wanted to stay in Taiwan but faced obstacles, and returning to Macau meant confronting her family. At 34, Xin lived a busy life shuttling between Hong Kong and Macau. Anxious to break free from the curse of being an assistant director, she felt pressured by her eligible actress girlfriend, Bei, to become independent. Facing external worries and internal conflicts, Xin finally realized that embracing her true self and being carefree might be the best way to survive.
In Taipei’s dreamscape, Tao’s incomprehensible love for Shin drives her to create painful memories. Meanwhile, Melih, burdened with self-blame, longs to connect with the perpetually drunk Ping.
Aspiring filmmakers Michelle, Jacky, and Gthan launch their own online channel with rising KOLs Yannis and Sugar. When Yannis gains fame and considers leaving for a rival platform, they scramble to find a new star, leading them to Anna. As they navigate the challenges of online success and failure, they confront the harsh reality that while success is rare, the journey—and the digital footprints they leave—lasts forever.
It follows Jin and May as memory, friendship, and time intertwine, revealing how fading recollections reshape identity, deepen bonds, and transform the meaning of loss.
Two girls fantasize about making a declaration to the world. Youth is overrated. Depression, cynicism, rebellion. Poetic, and beautiful. How caricatured. Like how everything sounds better in French, even if it’s merely Google Translated. So we are here, to destroy the camouflage. Back to our reckless but satisfied souls and bodies. Ephwaipi, a homophone of ‘FYP’ (Final Year Project) is the debut short of Kitty Yeung and Candice Ng. The film, which also acted as their graduate thesis film, is the manifesto of two teenage girls about gender, romance and labour exploitation. Together, they seek to declare freedom from their teachers, lovers, bosses, and the most notorious villain of all — social norms.