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Román is an actor who works in B-movies and who’s isolated in his apartment as a pandemic keeps the world on edge. Aldo, an indigenous young man, is an essential worker who’s allowed by the authorities to come and go. They live across from each other in an apartment complex. They meet online, and they can talk and even see each other in videocalls, but they can’t meet in person. Eventually, the temptation to break out of their lockdown comes up.
Gerardo is deeply in love with longtime lover Jonas. When Jonas falls for a stranger he met at a local nightclub, heartbroken Gerardo soon seeks solace in the arms of Sergio. Despite other interests, Gerardo and Jonas can't bring themselves to end it.
A shortfilm by Julian Hernandez
Two men on the ground separate, we lose sight of them, the camera turns on its axis in a desert landscape; we see the dust, the mountains. We listen to a piano, the murmur of male voices, the characters move in and out of the frame while the camera rotates, in one of the already well-known film choreographies of the staging characteristic of the Mexican director.
Orlando and Marco, two young men who live in Mexico City, meet by chance and fall in love. Every day they fight in order to achieve their dreams: Orlando wants to be a dancer and Marco wants to graduate from nursing school. As they go against a diverse, ever-changing, hostile world, they’ll learn that once the darkness of night is gone and through their intertwined bodies and their synchronized souls, they will have seen all those demons of dawn go by.
Damián returns injured to the apartment he lived in with Uriel. Both of them avoid talking about what happened, but the memories that linger throughout the place they once called home become present. The longing for that idyllic past becomes an anguish for both, who are forced to coexist once again.
Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.
The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.
After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.
A collection of sensual and provocative male-centric LGBTQ+ short films including: Pedro Had a Horse, Monte, The Gemini Has Two Faces, Death is Not the End of the World, Cobalto, The First Kiss, and The Oddity in the Blue Crayfish.