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War correspondent Lopatin takes a 20-day-leave from his hard work at the front in 1942. He travels to faraway Tashkent to meet the family of the killed soldier and visit the film set of the screen adaptation of his war-time stories. Lopatin also manages to walk the streets of Tashkent, take part in a factory workers' meeting and have a short-lived love affair. Although with no bombings and fighting, the city dwellers breathe the atmosphere of the ongoing war.
A group of scientists is sent to the planet Arkanar to help the local civilization, which is in the Medieval phase of its own history, to find the right path to progress. Their task is a difficult one: they cannot interfere violently and in no case can they kill. The scientist Rumata tries to save the local intellectuals from their punishment and cannot avoid taking a position.
Russian provincial town in the middle of the 1930s Stalin's Great Purge. Ivan Lapshin, the head of the local police, does what he has to do. And he does it well.
Military doctor General Klenski is arrested in Stalin's Russia in 1953 during an anti-Semitic political campaign accused of being a participant in so-called "doctors' plot".
Shot in 1971 but banned until 1986, this distinctly Russian war story takes place in 1942 behind enemy lines. A regiment of partisans captures former Red Army lieutenant Lazarev who is dressed in a German uniform. He’s a Nazi defector and collaborator but now desires to switch back and fight with Russian partisans.
Making another operation, Professor Krymov did not even guess what place this patient would occupy in his life. After some time, they will meet by chance in Yalta and realize that they are very necessary to each other. Only their attitude to love is completely different ...
A portrait of a Russian community in the late 19th century based on Chekhov's stories, featuring the author as observer and narrator.
A female poet and author faces the harsh realities of a besieged Leningrad. Based on Olga Berggolts' memoir of the same name.
St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?