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A portrait of a small Moravian village and its quirky inhabitants.
After her husband's death, Hana lives on alone in the family villa. Her two sons visit her with their families, but these visits frequently end in quarrels. When Hana meets Brona, a hardy fellow, inured to winter swimming, a new world opens before her. Brona's team-mates absorb her into their team and Hana gradually learns to overcome her fear of icy water. Her relation with Brona grows into love.
Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.
Three stories ; The Garden of Eden, The Open Country of a Lonely Man, Riedgost ; introduce the youngest generation of Czech filmmakers. They are linked through the similarity of their story-telling poetic and their interest in uncommon environments and heroes. The filmmakers' results confirm the saying that what we long for most is often sitting right in front of our eyes.
Over the course of a year, in a small town scarred and beaten down by industrialization, Tonda and Monika, friends since childhood, come to experience what life might be like if they could be with one another – which they seemingly can't. Or can they?
The film chronicles the events of a village on the Czech-Austrian border from the 1930s to 1950s, where genocide occurred due to fallout between German citizens and Czechs who collaborated with the Nazi regime during the war.
An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.
Two neighboring clans and two different approaches to life. What happens when the strained relationship of two domineering fathers interferes with the love of their own children?