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A man who is suffering a mid-life crisis finds new meaning in his life as part of an all-male, middle-aged, amateur synchronised swimming team.
In an undisclosed location in central Stockholm a sort of state of exception seems to be in effect. During night time, job seekers from different parts of the world live here. Daytime they share the place with workers, building the new Stockholm. The main character of the film Thomas, has for three years been sleeping in a rat infested spot under a loading bridge. Now he is not even allowed to stay there and is going to be evicted. He gives a passionate speech about dignity, human rights and his fight to live a worthy life and support his family. The film is also distributed as part of a mobile sculpture that will tour Sweden and Europe. —Erik Pauser
At the height of the cold war a struggle broke out between Governments from all over the world as to which position to take about the system of apartheid in South Africa. Leading the fight was Olof Palmes' Swedish Government, which covertly funneled over US$ 1 billion to the resistance movement. This money was given without the knowledge of either the Parliament or the Swedish populace. At the center of the net in South Africa was a Swedish diplomat called Birgitta Karlström Dorph. Meanwhile at the UN the Swedes with their Scandinavian counterparts attempted to win the argument for economic sanctions. This led to bitter arguments which saw Palme leading the fight against the Reagan and Thatcher administrations.
An anti-war film about the personal suffering behind the hard statistics, which show that more than four million Vietnamese died during the Vietnam War, as opposed to 58,000 Americans. We hear South and North Vietnamese, including émigrés to the United States, describing how huge numbers of friends met their deaths, caught as they were between government forces, the Vietcong, and the Americans; how political boundaries divided not only the country, but also families; how mothers deserted their children because their fathers were American soldiers; and how the war cruelly lingers on long after hostilities ceased, in the lives of children born crippled by chemical weapons.
Twelve years ago Anya and Zhenya had a daughter, Nadya. They were very young, and their life soon became a problem. Zhenya ended up in jail, and Anya and Nadya ended up living with Zhenyas family. During the twelve years that have passed, Anya has done quite a lot of changes in her own and Nadya’s life, some of them involving Zhenya. The first time Zhenya went to jail – for beating Anya – he didn’t have to stay that long. But the second time he was sentenced to four years, for rape. During most of the twelve years Anya has worked with Zhenyas mother in their shoemaker’s workshop. Zhenyas father, a retired policeman, has come and gone in the shop, taken care of his granddaughter, but also had a relationship with Anya. When Sasha, Zhenya’s father, beats Anya and ends up in prison, Anya finally leaves Zhenyas family.
Lucky People Center International takes us on a journey around the world through human souls. Music's rhythms and the film's pulsing form reminiscent of the music video aesthetics and gives the documentary a new face. The film traveled around the world for two years to find people and lifestyles that reflect the world before 2000.
The Borneo Case is a unique story filmed over 25 years and tells the epic tale of how the rainforest, home of the last nomads was stripped of its natural resources. It reveals how billions of dollars of illegal profits solicited by the Chief Minister of Sarawak State in Malaysia were money laundered with the assistance of the largest global banks into offshore accounts and property portfolios all over the world. The case was labelled as the largest environmental crime of the century.
Mom, I’m really afraid that I will not be able to die. Why, baby, why do you say such a thing? Mom is praying for your health. Not that, Mom. I’m always well. But I won’t be able to die. Well, one day, suddenly, I lose ground and fall. I keep falling forever though I can’t die. I have to fall in the darkness forever. Forever and ever…… Tetsuo Furudate was born in Tokyo, Japan. He started his career in experimental film and video art in 1981, then started working with music and performing art. He premiered an experimental opera “Othello” 2001 at Podewil, “Auditory Sense of Mr. Roderick Usher” at Dresdner Zentrum für zeitgenössische Musik. It won the BLAUE BRÜCKE prize 2003. His radio productions were broadcasted by Deutschlandradio: “Motome-Zuka“2007, “GOYA” 2008, “Death Fragments Prelude” 2011. He premiered “DEATH FRAGMENTS” theatrical event with Edwin van der Heide and actors at Theatre Bielefeld.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
A documentary about the life and films of director John Ford.