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Shadow Warriors is a Japanese television jidaigeki show featuring Sonny Chiba that ran for four seasons in the early 1980s. Chiba played different ninja characters in each series. In the first series he played Hattori Hanzō III, in second one he played Tsuge Shinpachi, in the third one he played Tarao Hanzō, in the fourth series and in Bakumatsu Hen, he played Hattori Hanzō XV. In the 2003 direct-to-DVD series Shin Kage no Gundan he played Hattori Hanzō I.
Two short stories set in Edo during the Shogun era. The first, during a time when Christians are persecuted vehemently, Iori falls in love with a young Christian girl. When she and her family are captured during a raid, his sadistic master takes her as his personal slave to torment Iori. The second follows Sutezo who, forced to serve the barbarous master of a brothel in order to repay his debts, befriends a young girl. Together, they both escape and struggle to get by on scams and petty theft.
On September 15, Keicho, a young man, Takezo, whose life was ruined by the war in Sekigahara wandered around like a wild beast. Only his lover Otsu and the pacifist monk Takuan understood Musashi, who escaped from the hands of the Ochimusha hunters and turned against everyone. Then, a crisis loomed over Takezo as he fled into the mountains. At the same time in the village of Jokyoji in Echizen, the sword prodigy Sasaki Kojiro, in his quest for strength had defeated his own master, Tomita Seigen and got out of the village.
The story of the battles between the 3 related families Kishu, Mito, and Owari, as each vies for the shogun’s seat in the line of succession. Highlighting the series are many fights between the young lord’s Negoro ninja helpers and their mortal enemies, the Koga ninja. History comes alive with the bloody blades of the three families at war within the highest levels of government as the search for a new shogun continues!
A woman on the run is raped, rescued, then raped again. Escaping, she heads for the hills and finds safe haven at a convent. After becoming a postulant (trainee nun), she catches her fellow sisters engaging in lesbianism, fighting over nothing, hurling snakes at each other, and engaging in mild flesh eating.
13th year of the Genroku era. Matahachiro Aoe, a samurai of the Shonai clan from Dewa Province, accidentally learned that a group of conspirators led by the main vassal of Tango Otomi were planning to poison the Lord. Matahachiro decided to consult with the father of his fiancée Yuki, Kizaemon Hiranuma, an employee of the security department, and told him everything. However, when Matahachiro was about to leave for home, Hiranuma attacked him from behind and Matahachiro defended himself by killing his future father-in-law in front of Yuki. Matahachiro escapes to Edo and provides bodyguard services to earn a living. He is pursued by assassins who are sent by conspirators from his former clan. And soon he also becomes involved in the conflict between Asano and Kira, which arose due to a blade wound in a pine corridor in Edo Castle...
Disguised as a brothel guard in a lawless town, a deadly female swordswoman with a dark supernatural secret hunts the man who murdered her mother—but when innocent children become pawns in a deadly trap, she must risk everything to exact her revenge and confront the monster within.
Reconstruction, in the form of episodes, of the most bizarre crimes that occurred in Japan after World War II.
An unusual blending of elements comes together in this crime story drawn from Japanese history. During the early Meiji period a number of “Dokufu” (Poison Women) committed a significant number of murders. These crimes were most often committed by wives on their husbands in order to be together with their lovers. At that time women were executed in the same manner as men, to wit: by being decapitated. This is the story of the most notorious of all, Takahashi Oden who, in 1879, was the last woman executed by decapitation in Japan.
Based on a manga by Kosuke Miki and Tadashi Matsumori, this film follows the adventures of Yuki, who works in a Kyoto red-light district house of ill repute as a "tamawari," or "virgin-breaker." She's the gal who gets first dibs on the new recruits to the brothel (some willing, some not), and it's her job to break them in for future clients. The film finds Yuki involved with a group of political rebels and anarchists after the Peace Preservation Law was passed in 1925 and walks a fine line between black humor and severe cruelty.