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A 12-year-old boy is asked to write an essay about what his family does at night.
Perucho leaves his village in Venezuela, and along with his sister and brother traveled to the city to try to break through and find another life. There he discovers he has talent for boxing and through it seek the opportunity to be someone ..
Una madrugada frente del Cementerio, el trompetista Alirio Guaramato, borracho y nostálgico por la muerte de su mejor amigo, consigue tocar las notas musicales reservadas a los ángeles para la resurrección de los muertos. Alirio sólo toca estas notas unos instantes suficientes para que Antonieta García, quien había muerto a los 85 años, vuelva a la vida con la apariencia de 20. Antonieta buscará una dirección que permanece en su memoria y allí encontrará a su nieta Mónica. Mientras tanto, un amargado ángel será enviado con la misión de restablecer el Orden Universal que ha sido roto...
The Blue Apple Tree, is a Venezuelan film starring Diego, a city boy about 11 years, marked by serious emotional deprivation, which is forced to spend a holiday with his grandfather Francis (Miguel Angel Landa), who barely knows him, on a small farm in the mountains of the Venezuelan Andes.
Film by Olegario Barrera.
About a mysterious and troubled black woman, a former practitioner of the Santería religion, who must comes to terms with her background whilst in a Caracas jail.
Directed by Alfredo Anzola, Manuel (1979) is a Venezuelan drama that explores themes of love, faith, and resistance. The story follows Aparicio and his wife, Alma Rosa, as they welcome a new priest, Manuel, to their coastal village. As Manuel becomes acquainted with the community, he discovers that the village is slated for demolition to make way for a tourist development. Deeply moved by the villagers' plight, Manuel joins the local fishermen in their struggle to defend their land. During this time, he also finds himself drawn to Alma Rosa, leading to personal and moral dilemmas. The developers, aware of Manuel's growing influence and his feelings for Alma Rosa, begin to monitor his actions closely. The film delves into the complexities of human relationships and the fight against displacement.
The intent of novice director Solveig Hoogesteijn to make a drama about two Venezuelans from opposite sides of the economic and social tracks wobbles and weakens in the telling. Although the two compatriots both live in the capital, Caracas, and both love music, they have a need to go out into the rest of the country and discover their roots. As big-city dwellers, they are limited in their perspectives, though this excursion into other areas of Venezuela may prove more illuminating to them than to a foreign audience.
Verónica (Maru Valdivielso) is a young executive who works in a dairy company. One day before going on holiday to the carnivals of Rio Janeiro, the company is blackmailed by a batch of poisoned yogurts. The president of the company gives a heart attack and Veronica goes to visit him to the hospital. There he meets a young man (Pablo Carbonell) who runs away from someone who wants to kill him. Suddenly, the young woman is involved in a series of entanglements, blackmail and persecutions, caused by men who cross their path, all obsessed with crazy love for a puzzling woman fatal.
During a police round-up, Mercedes witnesses the unjust murder of her son, a working-class man, by a police captain. Refusing to accept the official version of the story - that her son was a criminal - she launches a campaign for justice. Santiago, a young journalist moved by Mercedes's passion and determination, begins to investigate the story of the police cover-up at the risk of his own life. As the investigation develops, the film exposes the depth of Venezuela's corruption.