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Various original cartoons by some of today's top animators.
Sheep in the Big City is an American animated television series which ran on Cartoon Network for two seasons, from November 17, 2000, to April 7, 2002. The series' pilot first premiered as part of Cartoon Network's "Cartoon Cartoon Summer" on August 18, 2000. Created by Mo Willems, the bulk of the show follows a runaway sheep, Sheep, in its new life in "the Big City". It also features several unrelated sketches and shorts, similar to The Rocky & Bullwinkle Show. With an emphasis on more "sophisticated" humor, using multiple forms of rhetoric from the characters to the plots, it was more popular with older audiences. It was also unusual in featuring many comic references to film-making and television broadcasting. At the time, the premiere of Sheep in the Big City was the highest-rated premiere for a Cartoon Network original series.
A fun and funny tale about a sensitive, curious and rockin’ Naked Mole Rat named Wilbur who “scandalously” decides to (gasp!) get dressed! Find out what happens when Wilbur’s newfound love of rocking outfits rocks Naked Mole Rat society to its core.
Tommy of The Off-Beats and Beth of The Populars develop a crush on each other. September also reminisces about a female cat named February he was in love with. Repunzil tries to get September a new crush, and tries to give an escaping Tommy a valentine gift, and August tries to figure out how to get a girlfriend without the use of technology.
Philip Jenkins is unwanted. He walks head down, sad, in suit, hat, and wire-rim glasses. In this nearly wordless animation, bad things happen to him. First an elevator malfunction leads to a trip to the hospital: he leaves with his arm in a sling. Another accident at work results in another hospital visit. The same indifferent stretcher bearers and the same indifferent nurse see to his care. Now, his leg is in a cast as well as his arm. He soldiers on, using a cane. When a traffic sign malfunctions, it's back to the hospital; he leaves with bandaged head, piloting a wheelchair. But his woes aren't over yet. After one more mishap, Philip Jenkins finally has something to say.
A parable about art, propriety, and politics. A hip beat poet, who looks a lot like a child, reads poetry at the Ad Hoc Cafe; he's a success and Mr. Hipster, a powerful promoter, gets Iddy Biddy Beat's career moving with TV appearances, where the poet is a sensation. However, his poetry scandalizes Dr. Proper and his uptight wife, who arrange for Beat's arrest and imprisonment. The poet, sentenced for 10 to 20 years, is housed in a cell with an unsavory character.
The misadventures of a man who goes about life inexplicably yelling at people, and the man who sees an opportunity to cash in on his talent.
Quick Draw McGraw goes to the big city to wipe out crime, but it really wipes him out.
In life, the big fish eats the little fish, and the bigger fish eats the big fish. To illustrate this basic truth, thirty-three animators each introduce a character who eats the one previously introduced and is eaten by the next animator's creation. It happens on land and at sea, with humans, animals real and imaginary, aliens, a few plants, and a robot. They are chomped whole, sliced, smashed, flattened, inhaled through straws, eaten from the inside out and the backside forward. Sometimes the little guy wins; nothing and no one is invincible. By the end, we've come full circle.
On a special inner city street, the inhabitants—human and muppet—teach preschoolers basic educational and social concepts using comedy, cartoons, games, and songs.