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Lena is in love with her brother Noah. In the desperate attempt to conquer her feelings, she retreats into a world of her own.
Lili's summer holidays take an unexpected turn when her mother pressures her to ask Dorsday, a family friend, for money to keep her father out of prison. That night she loses not only her dignity but every certainty she once had.
The life and death of the Scottish monarch.
The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.
The filmmaker Lenz has left his native Berlin for the Vosges to research the story behind Georg Büchner's novel fragment Lenz. But he soon trades the Alsatian landscape for higher altitudes and more emotional territory: a reunion with his estranged wife Natalie and their son Noah in the Swiss Alps. Like his literary counterpart, the modern-day Lenz follows the Romantic motto: Genius writes its own rules. Against a background of kitsch global tourism - provided by the authentic Zermatt locations - Thomas Imbach's Lenz portrays an unconventional family and a man struggling between euphoria and desperation.
Fascinated by the already legendary filmmaker, as a teenager Thomas dreamed of becoming his assistant. He wrote to JLG and asked him if he could "look over his shoulder" while he is at work. JLG never answered. Rejected by the master, the teenager must now find his own way as a filmmaker until that day in 2021 when he senses JLG's end is near. Thomas decides to visit the master. On foot. A pilgrimage to pay his (last) respects.His aim is to meet JLG in person. Thomas Imbach dreams of filming not the master, but WITH the master, for which reason d, he has packed his Aaton camera in his backpack. The closer he gets to Lake Geneva, the more intense his emotions, his anxiety, his uncertainty. SAY GOD BYE is the story of an obsession; it is also a story about the universal theme of love. It is the story of a man who finally summons the courage to seek out his beloved, to tell him face to face about his lifelong love and to say, “Thank you, JLG”.
Roger is a young, dashing banker full of boyish self-confidence. He has a highly successful business, smuggling black money across the border for reinvestment. But then a split second reaction changes his entire life. Flagged down one day by a customs officers, Roger loses his cool and makes a run for it. His only means of escape: diving headlong into Lake Constance, thereby catapulting himself out of his life as a banker and into a totally new universe, populated with shy mermaids decked out in Lara Croft gear, and cunning magpie witches in helicopters. As in a Grimm Brothers fairy tale, Roger has to pass three tests to cast off the witch’s curse and find happiness. His underwater journey through an intoxicatingly beautiful Switzerland is enhanced by the enchanting songs of sirens – a fable full of lust for life and love.
A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.
The world we have just entered resembles a futurist machine. It is a colossus of concrete and glass, with a heart deep inside, a computer heart pulsating with an endless stream of data, while hundreds of beings in its labyrinthine veins are busy or trying to keep the coursing data under control… MUBI
We accompany a handful of teenagers on their forays into department stores, listen to techno musik, stand on the sidelines as a big kid picks on someone half his size. But the film has nothing of the usual voyeuristic sensationalism à la reality TV; it is rather a patently constructed, analytical montage of reality that opens out into times and spaces, and provides food for thought. Ghetto is divided into six loosely interwoven chapters. Each of the six chapters has its own coloring, its own pace and actors, its own treatment of the raw material. And each has its own distinctive scenery – interspersed shots of the geographical or architectural environment in which the young protagonists live. –First Hand Films