Looking for movies, shows, games, or books similar to Jhanak Jhanak Payal Baaje? Check out these recommendations on mosaic.
A respected village schoolteacher falls for a travelling dancer and faces a moral dilemma.
Neera (Apte) is trapped into marrying an old widower Kakasaheb (Date). He is a progressive lawyer with a son and daughter of Neera's age. Neera refuses to consummate the union claiming that while suffering can be borne, injustice cannot. Neera faces many hurdles including her mother-in-law and a lascivious stepson Pandit (Nene).
A righteous king faces a divine test when celestial powers send a fairy disguised as a desperate woman seeking his mercy, challenging his moral judgment and wisdom.
Chandrasena, wife of their captor Mahi. Despite her loyalty to Rama, she despises the decadence of her husband's kingdom. As the battle rages and Mahi proves invincible with his ability to duplicate himself and his fallen soldiers, Chandrasena holds the key. She reveals the secret to defeat her husband, turning the tide of the war. Expect grand visuals, including classic flying figures, magical arrows, and a memorable scene of a gigantic Hanuman dwarfing a human figure.
During the Partition of India, Mohini is abducted and raped. Upon returning to her family, she faces rejection from society. In revenge, she becomes a smuggler, dealing in illegal arms. She falls for fellow refugee Satish, and when he's implicated, she confesses and surrenders.
Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana. The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema.
Following a passionate encounter with King Dushyanta (Chandramohan), the comely Shakuntala (Jayashree) finds herself pregnant and rejected by the royal court. She gives birth in a forest to a son which she names Bharat (Kumar Ganesh). When the King tracks his former lover down and tries to take her back, she flatly refuses him.
This classic opens with a sensational low-angle circular track movement as Chandika cult followers meet in a dungeon of flickering lights and deep shadow. As the more rationalist King Krantivarma (Varde) banned human or animal sacrifices from the increasingly fanatical festivals dedicated to the goddess, the cult's high priest (Chandramohan/Date) orders the hapless Vishwagupta (Kelkar) to kill the king.
A young girl who is forced to marry an aging lawyer. She is implored to find a young husband before her would be husband snuffs the idea out.
Angara and Vikram fall in love despite their family being from different clans and having a feud.