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A lonely Chinese woman in Paris starts an affair with an womanizer musician.
Before the Big Ban on prostitution, West Hong Kong is famous for its houses of pleasure. The most infamous of them all is Floral Ode House. Among its girls are Yen Hung, who becomes a widow regularly; aristocratic Chien Chien; Cherry Fun, who manages to lose the nickname; and a bevy of beauties. The madam who is on good terms with the police chief claims the best business this side of virtue. Then there comes from England Cheng Li-Peng, commissioned to ban prostitution. He is engaged to Lily, the police chief's daughter. But his parents had arranged a wife for him when he was an infant. They have lost trace of each other. Cheng Li-Peng starts his investigation, which lead him to Yen Hung's and Chien Chien's bedrooms. He is surprised to find himself in love with all three girls. And one of them turns out to be his missing fiancee!
Carole and Mandy have just become neighbors in a luxury apartment complex. Mandy is a successful career woman, educated and independent. Carole is a kept woman, dreaming of the day when her businessman lover will divorce his wife to marry her. Through Mandy, Carole meets Edgar, a neurotic headwaiter. She breaks off her affair with the businessman, but Edgar is still masochistically involved with his old girlfriend Alice. Carole realizes that she still has a lot to learn about life. And nothing is going to stop her from learning it.
Hiu-tung (Veronica Yip) is a naïve young wife who is forced to raise her child alone after her gangster husband skips town for Taiwan. Her next-door neighbor is Ching-man (Tony Leung Kar-fai), a cop still coming to terms with his partner's sudden, inexplicable suicide. Inevitably, the two begin to find solace in each other's company -- Ching-man even acting as a sort of surrogate father for her son -- and soon in each other's arms. Just as true love seems about to bloom, Hiu-tung's thuggish husband returns.
A tragic love story set against the always volatile and oftenviolent backdrop of Shanghai during the Japanese occupation and at the opening of the Pacific Theater of the Second World War. A nightclub singer becomes involved with both a member of the Chinese resistance and an officer of the Japanese army.
Ryuichi Okagawa, a Japanese writer who worked as a reporter in China has been sick ever since his return home. While in China, Okagawa had met a devoutly religious girl named Jin-hua. Okagawa was born with a predisposition to agonizing recurrent migraines, but found happiness with Jin-hua and married her. Unfortunately, he already had a wife in Japan, and this revelation crushed Jin-hua. When Okagawa returned home, leaving Jin-hua behind, she was forced to work as a prostitute, catching both a severe case of the flu and a rather less socially acceptable condition. Meanwhile, Okagawa's guilt has torn him apart enough for him to return to China in an attempt to bring Jin-hua home with him to get medical attention, but the girl is already too far gone for his help.
Narcotics officer Shaolun (Tony Leung Ka Fai), in order to bring down the local drug kingpin King (Michael Wong), forces a female street thug with an equally sketchy past, Coco (Rosamund Kwan) to infiltrate King's organization and provide information. What no one expected was for both men to fall for Coco, and Coco for King.
A veteran inmate takes a newcomer under his wing as the pair confront both other violent inmates and the prison's corrupt wardens.
After losing Captain Jack Sparrow to the locker of Davy Jones, Will Turner, Elizabeth Swann, and Captain Barbossa journey to the ends of the earth to rescue him. And as the East India Trading Company tightens its grip on the seas under Lord Cutler Beckett—now in control of Davy Jones—the fate of piracy hangs by a thread. Now, they must unite the pirate lords for one final stand. But as loyalties are tested and alliances shift, each must ultimately choose where they stand in the battle for freedom on the high seas.