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A dialogue between the auteur's memories and the images he shot and kept during his long film career - sketches of live that were never shown, never seen, never edited.
A documentary on the Canela Apãniekra (Timbira) community in Brazil. Showing their daily habits, political struggle, oral tradition and the formation of space in Barra do Corda, Maranhão.
A reflection on books and culture through testimonies and images from the Rio de Janeiro's National Library. In this work commissioned by the Ministry of Culture, the director forgoes voice-over in favor of a polyphonic discourse, combining more informative speeches from representatives of institutions with speeches by, for example, Sérgio Sant'Anna and Lygia Fagundes Telles, who express, in a different tone, their passion and vocation for books.
The tensions experienced by three different people during the military dictatorship in Brazil: a politician, a revolutionary and a common citizen.
A film that records the rehearsals of a Brazilian theatre troupe directed by Victor Garcia, and then the conflicts that break out as they tour Iran and France with a performance of Calderon's autos sacramentales. A problem with a scenery prop sparks a crisis in the group and the film chronicles this disaster.
Documentation of the preparations and expeditions of the Frente de Atração Arara da Funai, in the state of Pará, Brazil. With the construction of the Transamazônica, the Arara territory (without contact with the white man) is cut in half, and the Indians react by attacking the workers. Aware that all contact is a creation of dependency, the sertanista Sydney Possuelo, who also reflexively narrates the documentary, leads the expeditions that aim to identify the groups, how many individuals there are, establishing territorial limits to protect the area against invaders and loggers in the region.
A documentary about the permanence of brazilian native rituals in nomadic and rural communities among the pervading capitalism.
Carapiru is a member of one of Brazil's remaining indigenous peoples, living in harmony with nature and making wise use of the local flora and fauna. But Carapiru is suddenly forced to fend for himself and flees into the nearby rain forest, building a new life for himself with the help some sympathetic settlers. However, after rebuilding his life Carapiru is uprooted once again, this time by government agents. A expressive visual storytelling in this study of the native peoples of Brazil in the 21st century.
By Ministry of Culture.
A group of middle-class friends driving around São Paulo choose one of the women as a bait to attract a victim, object of their alienation and moral aggressiveness.