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A series of strange, inexplicable, and increasingly frightening events takes place in Mosby Manor.
A constable and his sergeant are rivals for a girl, and to impress her they both attempt to apprehend an escaped convict. Probably the first Keystone film with comedic cops; Keystone trade ads upon its release heralded as, "An uproarious 'Cop' picture."
In 1915-16, San Diego's Balboa Park was the scene of an exposition to mark completion of the Panama Canal. This film takes us through the exposition: from the Cabrillo bridge and a panoramic view of the site, to the facades of the California Building, Horticultural Building, Panama Canal Exhibit, and the reproduction of the locks at Gatuna. We see tourists on the isthmus and a crowd outside the Panama Film Company's exhibit of how movies are made. We watch the feeding of fish at the laguna, and we end at the Plaza de Panama where toddlers are surrounded by pigeons. Fatty Arbuckle makes a brief appearance outside the Panama Film exhibit. Titles give us each structure's cost.
This early Keystone has Pete spying on his neighbor's wife through one of those little knotholes in a fence. The neighbor (Sterling) notices and chases him all over town with sheriff and family close behind. Fatty Arbuckle plays the peeper's wife(!).
This film is a compilation, with narration by Steve Allen, of comedies from the old Mack Sennett silent studio. Sennett, himself, appears in a cameo at the end of the film.
A jealous wife is chasing her unfaithful husband during a parade, after he starts to flirt with a pretty woman.
A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.
Two thieves burgle a necklace from a policeman, but then begin to quarrel between themselves, leading to a shootout.
This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.
In a dance hall, two members of the orchestra and a tipsy dancer fight over the hat check girl.