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After an old soldier named Miguel de Cervantes (1547-1616) wrote the adventures of Don Quixote and Sancho Panza, the knight and his squire have become very popular. When he learns that the Turkish comes along the Mediterranean coast with a powerful army, Don Quixote will undertake, again opposed by his niece and his housekeeper, a new adventure that begins in La Mancha and ends on the coast.
Tatin is a young man of fifteen years old who joins a violent group of extreme right-wing ideology, led by Blanca, a mature woman of influential personality.
An aspiring teacher (Eduardo Noriega) falls for a maid (Ingrid Rubio) in a village where people claim they see the Virgin Mary.
A fight over the calf of a prize milk cow in the close-knit and traditional Pas Valley of Cantabria leaves a cantankerous dairy farmer dead and another fearful of arrest. He and his daughter Val conspire to keep the cause of death quiet, but tensions mount when Val becomes attracted to the dead farmer's son, Rai, estranged from his father and now a hairdresser in the city. The tensions open long-festering family resentments and spur the lurid imagination of Val's younger sister, the teen Genia. "What goes unsaid, gets undone," the Pasiegos say, but is it true? Is there harm in staying silent?
An emotional trip through the most relevant aspects of Seville's Holy Week, released for the 1992 Universal Exhibition held in Seville. Music played by the London Philharmonic Orchestra.
Miniseries version of the first half of Cervantes' famous novel.
Federico, an executive of national television, begins to suspect that his wife Elena, an actress who retired prematurely after marriage, is cheating him with another man. The symptoms are that Elena sighs, looks far into heaven and is aware of the exact time a comet passes. In other words, she expects her most beautiful night.
Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.
A young Catholic girl takes viewers through a changing Spanish political and social landscape as she develops from her confirmation day to adulthood. Her first experience with the real Spain comes when her Jewish godfathers cannot come to her confirmation. One of the godfathers, using a ring, poses an early challenge to her innocence that puts her in danger. He later returns, indirectly introducing her to a new boyfriend. If he is one of the symbols for Jewish life under Franco, or for a Judeo-Christian interaction, that interaction is complex. The young woman encounters different lovers as she grows into adulthood, but at the same time she is burdened with financially supporting her father and his own rather decadent lifestyle. Again, this difference in generations could be understood as a difference between the "new" and "old" Spain; it is up to the viewers to interpret the story elements as they decide.