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Second feature film by the French-born director is a Bertolucci-style story of a bored, rich woman looking for romance and adventure. She meets an American G.I., dumps him, then falls for a Communist worker.
A group of actors in the East Village of New York City have been rehearsing for a play when the lead actress in the play turns up dead.
The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.
Starting with a scene from Squat Theatre's "Mr Dead and Mrs Free" shot in their storefront theatre on West 23rd Street, Chelsea, New York, "A Matter of Facts" draws a parallel narrative which follows the characters from the theatre into real life.
A talk show presented by Michel Drucker
Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city's hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between Zoro's passion for his art and his personal life, particularly his strained relationship with fellow artist Rose.
When Elaine, an adventurous young woman from Germany, arrives in New York City, she sets out to be a famous writer. After a brief stint at a mundane job, Elaine falls on hard times and also becomes intrigued by a mysterious stranger named Lulu. Before long, Elaine gets roped into situations involving theft, murder and the mob. Can the beleaguered expatriate with big dreams turn her life around and steer clear of crime and chaos?
In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
A nightmarish evening unfolds for neighbors David and Robert when they accidentally hit a woman on her bike and flee the scene. While David is increasingly plagued by feelings of guilt, Robert shows no remorse and becomes overbearing and possessive.