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Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.
Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.
Early experiments with VHS. Metros kinda look the same.
Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.
Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.
An independent private security firm arrives at a middle-class neighborhood in Recife, Brazil.
Middle class man surrounded by fear and paranoia become prisoner of his own world.
A woman leaves her apartment to go pick up a newspaper, opening and closing a multiple of locks on her way out and back.
A mother gives her daughter a box full of old, coloured little vinyl records. The daughter may listen to them, but she should never, ever, play the green one.
Ely is 17 years old. After school, she works few hours at a pet shop. When Ely learns that she is pregnant, her inner world explodes even though she tries to go on with her daily routine as if nothing was different. She is afraid and upset, and she knows that, whatever she decides to do, there is no turning back.