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Fifty elderly women are abandoned to die on a snow covered mountain, but instead wor together to build their own village named "Dendera." Some of the women wants to live their remaining days in peace, but others seek revenge against the villagers and their own families who left them to die.
Betrayed and disgraced, big-city reporter Kazuya Mizuno is banished to a desk at Kaname's boring little town newspaper. But Kaname isn't as boring as it seems on the surface. Not with characters around like Shimeko, a girl genius with a childlike lack of propriety, and her ace fisherman/folk-singer dad. Or the overbearing and unpleasant local Shinto priest, a former Christian cultist. Or Endo, Kazuya's new colleague, a bitter drunk after his son's suicide. Or Kin, a former terrorist, now a hermit on his boat engaging in secret "research." Or perhaps most importantly Teruko, the hypnotically beautiful bar owner, the focus of all manner of innuendo and intrigue. Something mysterious, even mystical, is going on Kaname, and hapless Kazuya is about to be thrown into the middle of it.
A precarious loner sneaks into a blind woman's home and begins living there without her noticing. Meanwhile, the woman mourns her recently deceased father and struggles to remain connected to the world.
Commentary: The first work in the "Asian Beat" series, in which young directors from six Asian countries, including Japan, compete to create the same protagonist (Masatoshi Nagase). The main character "TOKIO" becomes involved in various incidents when he meets Banana, a Filipino girl who is a terrorist and holds top-secret information that will shake Japan. This work depicts the appearance of TOKIO and his escape from Japan.
An idyllic and quiet horror movie in the age of the occult. Tadashi lives alone with his younger sister Kyoko, who has returned to Japan after a divorce. The older brother tries desperately to get rid of it, but in fact, the two siblings have an incestuous relationship, and Kyoko is possessed by Izuna, who is used by Kyoko's ex-husband who resents the relationship. The screen is black and white and eerie. Izuna smiles fearlessly at her. A brother and sister who cannot settle their warped love. With elaborate art reminiscent of Japanese houses and customs of the 1950s, the film brilliantly depicts a mature mystery world with a nostalgic flavour.
Documentary about a wrestling associating located in a mental ward.
In the immense city of Tokyo, the darkness of the afterlife lures some of its inhabitants desperately trying to escape the sadness and isolation of the modern world.
Fukami, a 26 year-old girl, has a uneventful life, working as a telephone operator. She finds her work tedious and wanted something more important aside from romance. She then meets two girls of the same age, Chizu and Tsugiko. They have something in common though their situations are different. And so, they all became close to each other. (asianwiki)
29-year-old Natsuki bumps into 25-year-old Sôichirô while on vacation in Hokkaido. Back in Tokyo, Natsuki discovers Sôichirô is her friend Haruko's younger brother, and they all end up living together along with Fuyumi, a third friend. Natsuki and Sôichirô form a strong bond, but become involved with other people all the while wondering who they should be with.
Masaki is fond of a music producer named Keigo, to get to his concert she ends up selling her body. She end up meeting him after the concert and fall in love with him, and he is interested in her. How ever Masaki has gotten HIV during the time she sold her body... How will this affect her relationship with Keigo?