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Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
On a volcanic island near the Kingdom of Hetvia rules Count Dakkar, a benevolent leader and scientist who has eliminated class distinction among the island's inhabitants. Dakkar, his sister Sonia and her fiance, engineer Nicolai Roget have designed a submarine which Roget pilots on its initial voyage just before the island is overrun by Baron Falon, despotic ruler of Hetvia. Falon sets out after Roget in a second submarine and the two craft, diving to the ocean's floor, discover a strange land populated by dragons, giant squid and an eerie undiscovered humanoid race.
Before a planned African expedition, a man's fiancée worries her father's guest plans to steal one of her father's rubies. The couple are kidnapped and held prisoner at a mysterious, creepy house. Strange things are afoot at Satan's house.
Not long before marine officer van Hauen goes off to war and heavy-heartedly leaves his family, he coincidentally discovers that his wife has a secret liaison with the dubious Count Spinelli. What the van Hauens do not yet know, is that the sleazy Spinelli has a hidden agenda. (stumfilm.dk)
A seventy-six-minute version of Häxan, re-edited and re-released in the United States by Metro Pictures Corporation in 1968. It is narrated by author William S. Burroughs, with a jazz score and soundtrack featuring violinist Jean-Luc Ponty.
During World War I, the engineer Torben returns home with secret papers from the Russian Tsar to the courier Tuschin, Torben's best friend. Tuschin is found murdered, however, and to solve the murder, Torben stays at his hotel. Here he meets several mysterious people, not least the breathtaking stenographer Inge. But in the hotel, no one is who they pretend to be.
The action begins one early summer morning in a hostel, where we see, among others, two young girls, a law student, Ruth, and a small office lady, Ilse. From their conversation, we understand that Ilse has a very bourgeois outlook on life. By chance, these two girls come across one of Ruth's fellow students, Pontus Berthelsen, who is spending the summer holidays in a fisherman's cabin. Ilse, who has little world experience, quickly takes an interest in Pontus, who possesses a lot of innate charm. Pontus does his best to conquer Ilse, but her bourgeois attitude means - at first - that she does not fall for his rather deft approaches.
We are in New York. A young Danish girl has a conversation with the Danish-American Mr. Lang. It is understood that she loves his son and that he has sent the young man to London because he thinks they are both too young. Furthermore, it is clear from the conversation that he is about to file for divorce. The young girl is worried about how his little daughter will fare - despite her youth, she has had bitter experiences herself, and she tells Mr. Lang her story.
There is hunger in Siberia during the Russian Civil War. One day while dim-witted peasant Sergei is searching corpses for food, he meets a young woman looking for the town of Novokursk. She asks Sergei to help her get there, and to tell anyone they might meet that he is her husband.
Lost 1928 film by Benjamin Benjamin Christensen