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The film, with many scenes shot on location, constitutes a precious document as it exquisitely captures some of the most important landmarks of Athens and its outskirts, as well as daily life in the 1930s. synchronise moving images with a sound-ondisc system in Greece, using a semiimprovised setup according to press coverage of the time.
Pictures from the Greek expedition to Asia Minor.
Prometheus, a Titan who defies the gods and gives fire to mankind, acts for which he is subjected to perpetual punishment.
Maritsa is a lively girl who finds it difficult to live in the village, with her uncle, who is also the President of the community. The son of a major industrialist is persuaded by Maritsa to take her to Athens with him.
In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.