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A young lord elopes with an employee's daughter. The visit of a lady to her home causes the young wife to leave her husband. Years later the peer succeeds to his family estates. Approaching his wife for forgiveness, his entreaties are of no avail. He meets his daughter on the cliffs, and she by accident falls and is killed. The sight of the dead body causes the wife to seek the protection and consolation of her husband
Helen Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helen plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.
A fun-loving little boy's magic lantern show exposes some indiscreet moments between his landlady mother and her star boarder.
This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.
When Fatty Arbuckle accidentally hits on the rajah, he declares, "Death to all flirts!" and hijinks ensue.
The Tramp, a film Johnnie (someone who loiters near theaters or studios to meet stars or get a job), attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.
Ouida's novel made into a 1912 film -- released within days of another 2-reeler based on the same story.
Fatty induces wife to let him take a day off to go to the celebration at San Diego. He has a wonderful time, flirting with the girls, breaking up a parade, fighting the police force and falling into the fountain with him, escapes, and with the crowd after him, leaps into the river. Here he rescues a little boy and becomes a hero. He goes home to wife in a bedraggled condition, tells of rescue and is set upon a pedestal. Wife, as a reward, takes him to the movies at night and sees husband flirting and fighting in the fountain, where some enterprising cameraman caught him. That explaining, as she thought, the bedraggled state in which he arrived home, she turns and beats him all the way home.
A very plastered fella follows a pretty woman home, and proceeds to make a nuisance of himself.
Fatty rescues the daughter of the police commisioner and is given a job as an officer as a reward, but its not all its cracked up to be!