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In "Rêves enfantins", players in the flesh are mixed with animated objects and cut-out paper actors.
There have been numerous studies of plants and flowers presented to the public, but none which exhibit the perfection of stereoscopic detail. The various plants have been photographed against black backgrounds and are carefully colored. In addition, the various groups were made to revolve during the time of exposure and thus show a succession of lights and shadows which produces the relief which adds so greatly to a picture. (Moving Picture World)
The film presents a drawing room meeting of enthusiastic puzzle workers. One gentleman has a new way of solving his puzzle. He puts a handkerchief over the game and immediately the picture is made. Under the handkerchief, we see how, piece by piece, it is put into one finished picture. His success makes him an object of envy, however, and the gentleman meets with considerable trouble before the party is over. (Moving Picture World)
A man who no longer can afford his rent is forced to sell his beloved furniture. The furniture can not bear to be parted from their owner and decides to return home. Often confused with Bosetti's film Le Garde meuble automatique (1912).
Framed in a wreath of roses we see a lithe Creek dancer, who sways and postures before an epicurean party of ancients, followed by a laurel wreath and encircling a scene showing school children of 1830 receiving their marks of diligence at a distribution of rewards: then the wreath of bay tendered by the Human Senators to Caesar on the culmination of his career; now a beggar receives a loaf called a "crown" from a charitable passerby: Christ is shown crowned with thorns by the rabble; following the divine drama we see the old comedian's wreath presented him at a performance. The next view shows the Emperor Charlemagne crowning his son Lewis. The film closes with the wreath of orange blossoms encircling a bridal party.
In this film several objects make paintings on an empty canvas, which all turn into photos and films.
Three girls seeking to have their fortunes told invite a witch over. When the girls' father offends the witch, she puts a hex on him and his matches.
An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.
A splendid blend of live-action photography and Cohl's famous animation, Nothing... displays the realms man has conquered: Air, sea, the domains of music and machinery. The one thing man cannot conquer, Cohl posits, is gossip.
Early short by French animation artist Émile Cohl. A woman becomes slowly visible in front of a black space. She points a wand and spells the word “Bonsoir” in colored letters formed from flowers.