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Real estate speculator Albert Hahn is found dead in his cellar. He died of fermentation gas poisoning. The doctor in charge assumes it was an accident. But Polt knows that the dead man was hated in the community. He suspects that the murderer wanted to make the death look like an accident. Many of the winegrowers had a motive. After a long investigation in the wine cellars, he discovers that all the cellars are connected by holes. Polt doesn't want to leave the feeling that it was a murder. As he drinks some wine with his friends, they all confess to the crime. They had all poisoned Albert Hahn with the fermentation gas together, but only one of them wants to take all the blame, as the rest have children and wives. He commits suicide and leaves a confession behind.
Simon Polt (Erwin Steinhauer) is no longer a gendarme. Arrived in retirement, he participates cheerfully in the Weinviertel on village life. When a corpse is found after a feast, his sense of right and wrong again becomes noticeable. The police do not see any third party debt. He sees it differently.
Much has changed for Simon Polt, a retired gendarmerie inspector. He's embarking on new career paths, and his future with his long-time girlfriend, Karin Walter, suddenly took on a completely new perspective. Polt has little contact with the police, who now watch over the small villages in the Wiesbach Valley—his only friend is Norbert Sailer, a law enforcement officer who's just his style. But the discovery of a stranger's body completely disrupts Simon Polt's quiet world: No one claims to have known the dead man, but some seem to know more about him than they're willing to admit to the police.
A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature.
It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.
Archduke Johann falls in love with Anna Plochl, the postmaster's daughter. Johann and his royal arranged bride both decline a dynastic alliance advised by minister Metternich in favor of their loves.
Editor-in-chief Daniel Käfer is unemployed. His magazine "Intelligence" was discontinued due to "too high a standard". Now he wants to think about his future in Ausseerland, where he spent his best summer vacations, but his return to the realm of his childhood turns out to be a dangerous labyrinth that entangles him in the dark secrets of the Ausseer people.
KILLING STELLA is an ice-cold examination of a failed marriage and the self-reproach of a wife and mother. It is a prequel to THE WALL in both literary and cinematic terms.
Daniel Käfer's time out in Ausseerland is coming to an end. He has to focus on his new career. But his journey ends in Hallstatt. His acquaintance with the young Gerd Gamsjäger and his mother leads to dramatic events. In his exuberance, Käfer causes a serious accident that almost costs his young friend his life. In an effort to make amends, he gets himself into even more trouble: with a dubious treasure map, he initiates excavations in search of a man in the salt. A huge embarrassment or the start of a new future?
Village policeman Gasperlmaier has a tough time in his third case. He's immediately summoned from a funeral to the bathroom of a family home. There, he finds a dead body. Together with his new superior, the investigation begins. But the first death is followed by a second. More and more pieces of the puzzle are piecing together a grim picture from the past. There's little time left for Gasperlmaier and his new boss, and it seems his mother-in-law is also involved.